Thoughts and musings from Karen McGovern, an artist and conservation biologist madly in love with nature. Who know's what we'll find hidden away in the attic?
Friday, June 1, 2012
Artist Shout Out - Desert Talismans
Tuesday, September 7, 2010
Fire....Good...
Creating Color on Copper with Heat
Now, on to silver...
Reticulating Silver with Heat
This process is similar, but very different from working with copper. You can't shape your silver prior to reticulating. Heating the silver like this sometimes shrinks the metal, so you should actually start with a disc slightly larger than what you plan to end up with. It's very hard to reticulate small pieces of silver, they simply shrink away under heat, so start big. Remember, you can always cut and shape the piece when you are done.
First, clean your silver. Again, I use a medium sanding sponge, give both sides a good sanding, then rinse and dry. Place the disc on your ceramic fire-block and turn on your torch. Heat the metal evenly with the flame, moving the flame around the surface. What you are actually doing is heating the surface of the silver almost to its melting point. The silver usually turns dark first, keep moving the flame around, DON'T STOP. Don't leave your flame stationary either--if you point it too long in one spot you can burn a hole in the silver! The surface will begin to get really shiny and glow a bit red--you're getting close! When the silver is shiny everywhere it will actually go liquid on the surface--you will see the surface begin to "boil" in teeny-tiny bubbles. That's when the reticulation is beginning! Keep that flame moving and all sorts of things may happen. Bubbles may form that lift the metal in places, ridges and valleys may form. Bumps and lumps will appear everywhere depending on how you move your flame, etc. At this point stop, turn off your torch and quench the silver by picking it up WITH PLIERS and dropping it in your cup of water. When you take it out it will be an ugly, flat grey/black. That is the impurities in the silver coming to the surface. You have two choices here. You can "pickle" the metal chemically using a crock-pot (again, search this on Etsy--all questions will be answered) or you can do like I do (ever the impatient girl) and go at the silver with your sanding sponge. The black will come right off. Sand, rinse, sand, rinse, etc. till you can really see what you have. If you want more texture simply set the silver back on your fire-block, turn on your torch and get busy. Each time you quench, sand, and rinse, the silver it will heat easier and reticulate even quicker. You can do this several times till you get the effect you want. When I am totally done, I sand, clean and buff the silver with a dremel tool. Tarnex, yes, good old fashioned Tarnex, works really well as a final, super fast cleaning agent. Now you can shape the metal VERY CAREFULLY if you wish. Reticulating silver makes it brittle, so if you want to curve it be careful, hammer very lightly. You may find that the edges are especially brittle, bits may even break off, but that's part of the beauty of the effect--simply file your edges smooth.
Here is an example of a ring I just made with reticulated silver fused with sterling silver shot, set with an amethyst. YUMMY!!!!
Now it's your turn! Get online, get some tools, then start creating. I'd love to see what you make. Send me some photos and I'll post them here. If you have any questions about the processes described here, please contact me! Have fun playing with FIRE!
Tuesday, May 11, 2010
Reticulating Silver
THEN, I discovered reticulating silver. WOW! This is really fun, and really simple. I've seen reticulated silver before, and figured it was created through some incredibly difficult process that was far beyond my skill-set. WRONG. The look of rugged peaks, valleys, bumps and lumps I love so much are created with heat, and patience. With my little butane torch I can easily heat stering silver discs and sheet to red, then, with steady, even heat, start the reticulation process. You can see the bubbles begin to form on the nearly molten surface, then you have to stop, and clean the silver either by pickling or by hand with patina prep or whatever else you like to use to clean silver. This removes all the impurities that are in the silver, which come to the surface when heated. Then, back under the torch. Keep your flame even over the surface, don't focus the flame in one spot or you might burn right through the silver. Do this several times until you get the pattern or look that you like, cleaning between each torch session. The silver will deform, so start with a piece larger than what you want to end up with. I love the deformed look, and usually leave it at that. When you are happy with the results, clean thouroughly, and burnish either by hand or with a wire brush wheel/dremel. Be sure to look at both sides, sometimes the bottom side turns out even more interesting than the top! From here you can hammer (be a bit careful here, reticulating makes the silver somewhat brittle), cut, and patina to your heart's content. COOL!
Monday, February 1, 2010
More Experimenting...
More to come soon....
Monday, October 19, 2009
Mmmmmmm...Mokume
Friday, March 27, 2009
This Guy is Sort of Talented...

