Showing posts with label mixed media. Show all posts
Showing posts with label mixed media. Show all posts

Sunday, June 23, 2013

Tallmadge's Dragons - An Original Short Story


18th August 1869

My Dearest Winifred,

 I write to you now beneath a concert of raindrops beating against the roof of my bedchamber.  While my accommodations have been less than luxurious by any standard, I find the thatch and tin roof more than adequate for my purpose.  These past few months have been torture without you, Dearest, and I fear that the seasons may come and go before we are again together.  For me, there will be no visible signals as Mother Nature flows across time.  No brightening of Autumnal leaves, no nip of cold upon the morning breeze, just the endless tropic heat and ever green bounty of foliage growing to astronomical size and dimension. 

But my purpose to document these marvels of nature is clear, and I have been immersed in an endless array of unbelievable life forms never before seen by European man.  I could write an entire tome on the catastrophic flowers alone.  Would you believe that one such blossom, emerging only in the depths of night, opens petals the size of your favorite parasol?   And another, the size of a shilling, produces a sticky nektar for the sole purpose of capturing and devouring small insects and lizards misfortunate enough to stumble upon it!  I can hear you now, my Darling, aghast that such a thing occurs in nature.  Fear not, I am ever vigilant and take great care whenever I am in the field.  No harm has befallen me…yet.

I hesitate to put to paper these next words, but I feel I must share with you the most recent of my adventures here in this steaming jungle.  Less than a fortnight ago, while in the bush alone, I came upon an amazing sight.  I discovered a clearing, in the centre of which lay a pool of glowing azure blue water.  The pool was surrounded by the tiny carnivorous plants I described above, along with countless other plants and blooms I have never before seen in my 20 years as a botanist.  As you can well imagine, I was atremble with excitement, and set about gathering samples to sketch and diagramme back at camp.  I had just gathered a handful of flowers and leaves when a soft buzzing began amongst the foliage.  The sound was almost musical, like the draw of a bow across the strings of a violin.  Arising from the brush came a cloud of what appeared to be a form of dragonfly, but like none I had ever seen before.  The insects bodies were of brightest blue, just like the waters of the pond!  Each was in length as long as your favorite quill (the one Mother gave you of ostrich feather).  To my eye  they resembled forged metal with four long wings of blazing silver, as if spun by a silversmith!  These amazing creatures formed a cloud about me, seeming to examine me with bright eyes and a manner reflecting the same curiosity with which I examined them!  I know what you are thinking, Dearest, but the heat had not clouded my mind, intense tho it was.  I found myself sitting at the edge of the pool, enveloped in a living cloud of hundreds of flashing blue and silver bodies.  I swear to you, my Darling Dear, that these insects were attempting to communicate with me!  They beat their wings in a distinct rhythm, a rudimentary language if you will!  The sounds they created were so soothing, so enchanting, I began to drowse, right in their midst.  I felt them alight on my body, tiny feet nearly weightless, shining wings caressing my face and hands.  I tell you, I have never felt such peace but for the moments we have spent together in quite reflection amongst your treasured gardens in Cambridge.  I confess, I was nearly hypnotized!  I do not know how long I spent in the company of these otherworldly creatures, but time seemed of no consequence.  The next thing I knew, I awoke to the sound of Reginald and Walter calling my name over and over again.  I looked about me, but the dragonflies were gone and the pool was no longer brilliant blue, but had turned a dark black.  I roused myself, and left the clearing to join the others, who I found had been frantically searching for me for over 12 hours!  Dearest, I had no sense of time passing at all! 

Needless to say, I did not share my discovery with Walt or Reg,  instead I told them I had lost my compass and muddled my directions in the forest.  I think they believe me, but both regard me with some suspicion now and I doubt I will be left to explore alone from this point on.

 But explore I must, for in the days since, the dragonflies have been calling to me.  Yes, I know how mad that sounds, but it is true none the less.  I see them from the corner of my eye, flashing blue and silver amongst the forest greenery.  I turn, and they are gone!  Walt and Reg don’t know what to make of my behaviour, and I simply cannot share this with them.  The dragonflies chose to communicate with only me, and I must keep their confidence until we meet again. 

 Last night, they came to me in my dreams, once again enveloping me in their soft, shining wings and serenading me with their aerial music.  I must find them, I simply must.  So, tonight I set out alone to reunite with these fantastical beings.  I hope I can find the clearing again, for I scratched a crude map upon a forest tree when I first discovered the oasis.  Oh Winnie, if only you could have seen them!  Bluer than even your lovely eyes! 

I shall write again, as soon as I can, and one day I hope to bring you here to witness for yourself the magik in this primordial forest.  Until then, I reach to you across the seas, soul to soul, heart to heart.

Yours Forever, 

Matthias

This letter was the last communication that Winifred Tallmadge ever received from her husband, the famed explorer and botanist, Professor Matthias Tallmadge.  Enclosed with the letter were a few scraps of paper, believed to be from Prof. Tallmadge’s field notebook.  The notes are unintelligible, and include drawings of unidentified plants and insects.   Also included with the letter was a 3-inch long insect wing resembling a dragonfly wing, but made of fine silver.

Prof. Tallmadge’s research partners, Professors Reginald Moorehaven and Walter LeMoyne, discovered his bunk empty.  After 24 hours with no sign of Tallmadge returning to camp, a search party was dispatched.  The search continued for three weeks before the determination was made that Tallmadge had somehow become lost and perished in the jungle.  The clearing mentioned in Tallmadge’s letter was never found, but his spectacles and part of his field notebook were discovered at the base of a tree carved with Tallmadge’s name alongside his wife’s name.  His body was never recovered.  It was noted that in the days after Tallmadge’s disappearance, the field station was inundated with thousands of insects noted to be a new un-described species of blue dragonfly.   No specimens were ever captured or preserved, and it was recorded by the team and several other witnesses that the insects vanished the same day the search for Tallmadge was suspended. 

Mrs. Tallmadge pledged to fund a continued search for her husband, and did so for the rest of her life until she passed away at the age of 86.  The disappearance of Professor Matthias Tallmadge remains a mystery to this day.

Post Script:

The following transcript was added to this file by Peirce Moorehaven, son of Professor Reginald Moorehaven, the last surviving member of the Tallmadge research team at the time of Winifred Tallmadge’s death.

“My Father was 97 when Mrs. Tallmadge died.  He insisted we attend her funeral, both the church service and the grave side ceremony following.  By this time Father was very crippled with arthritis and other maladies affecting a man  of his great age, but with my help we managed to walk from our carriage to the grave site, along with the rest of the funeral party.  As the minister was speaking beside Mrs. Tallmadge’s coffin, my father became extremely agitated, pointing to the Tallmadge grave marker.  Two large blue dragonflies with silver wings were hovering over the stone, eventually landing on the carved marble.  They remained there until the ceremony was over, then vanished in the blink of an eye.  My father referred to them as “Tallmadge’s Dragons” and insisted they were an omen of some sort.  We left at this point, as Father was near to fainting from exhaustion.  No matter how I pressed him, he refused to speak of the incident ever again and passed away some weeks later.  Whatever secrets he discovered in the jungle with Tallmadge died with him, but I shall never forget those spectacular dragonflies.” 

Library at Oxford, 2013

Wednesday, January 2, 2013

Looking Ahead...

Welcome 2013!  Clean slate, metaphorically speaking, right?  Clean work bench at any rate....new designs brewing in my brain, anxious to become reality.  Got a fabulous package of goodies from Becky Nunn of Nunn Design, to stock me with the very latest jewelry components from their soon-to-be-released 2013 catalog.  Yes, I am so happy to be a part of the 2013 Nunn Innovation Team!  Becky also sent me a PDF preview of the catalog and I drooled all over my keyboard.  So many lovely design elements!!  Many included with the 2013 stash she sent me.  Already been busy, effectively destroying my clean work surface in a creative frenzy.  I can't share photos of the new stuff yet, (I send the finished designs to Becky first and she promotes for us--SWEET) but I can tell you about my favorites so far...first off, the brass elements coming out for Nunn are FABULOUS and I've been cold connecting like mad (made a gorgeous cuff).  Deep bezels in many sizes (great for us mixed media, assemblage folks--I made two really cool pendants filled with this and that), tons of unique, detailed stampings, new clasps, closures, chains, findings, chatons, settings, bangles, and SO MUCH MORE.  I have included here some photos from the catalog of finished designs from the Innovation Team, including some of mine.  Becky has a great team and the photography for the catalog is to die for.  

So, get to the Nunn website and go crazy!  She offers wholesale accounts for designers and links to retail outlets that carry the products.  You won't be disappointed! 



Saturday, December 29, 2012

It's Complicated....

Today's creation.  Okay, this is a complicated design. I wanted to make something that speaks to my frame of mind recently, which has been rather dark. This ring is called "Poisonous Thoughts", and is created using a tiny porcelain doll head under a glass dome. A black flower blooms from the head, accented with a highly toxic seed from a vine that grows on our property. My intent was to visualize capturing and containing my black thoughts--essentially imprisoning them, but allowing me to see them so I will remember not to let these thoughts and emotions overwhelm me. Whew...and you thought I just made pretty jewelry...




Saturday, June 9, 2012

The Lost Tutorial...Image Transfer

Hello all!  I've been getting some emails and requests for my image transfer tutorial, that at one time lived on this blog, but then the Internet ate it.  So, I've found it, and republished it here.  You can also find it at ArtChix Studio, a wonderful website full of fantastic image collage sheets, ITS solution, and about a billion other things you will HAVE TO BUY (including a new line of ADORABLE miniature wood cuts perfect for mixed mediapalooza). 

I hope the tutorial works for you--image transfer is so fun.  Explore texture with this--burn the edges of your paper first, sand bits away when finished, go nuts.  I'd love to see what you create--feel free to share images of your finished works with me and I'll post them here!

Friday, September 9, 2011

I've Got A Book!

For some time now I have been writing short stories and poems to go along with mixed media jewelry designs.  I call this series "Sacred Salvage".  Several folks that have read the work have asked why I haven't put together a book.  Basically, it's because the idea of putting this all "out there" terrifies me!  My writing is very personal, and the idea of throwing it to the winds is very intimidating.  Everyone is a critic, and the thought of having my inner works poked through really gets to me.  But, I then realized I was being a big baby.  So, I am proud to announce that Sacred Salvage is now available through Blurb.

The book is laid out like a photo book with text.  I have to thank Durga Garcia, photographer extraordinare, for the cover and chapter photos.  They're gorgeous!  The rest of the photos are mine.  This book means so much to me, because it truly reflects what inspires me most in my jewelry designs--nature, personal growth and strength of spirit.  I am donating 100% of my sales proceeds to the Rare Species Conservatory Foundation, so that's one more reason to feel good about buying the book!
I hope you will consider this for yourself or as a gift.  It's more than a jewelry book and more than a book of short stories and poems.  It's my invitation to take a peek into my heart, and I don't offer that lightly.

Thanks in advance to those who buy a copy--you can get 20% off with the coupon code BLURB20.  If you do buy the book, please contact me with your thoughts.  I'm a big girl, and I'd like to hear what you think!




Monday, July 4, 2011

Re-defining Art Jewelry

What is art jewelry?  What is fine jewelry?  Can inexpensive jewelry be considered "fine"?  Hmmmmm...There are many different "levels" in any art form.  With jewelry design, the terms are tricky and sometimes prickly.  I once had my work refered to as "costume jewelry" and it pissed me off, because for some reason I associated that those terms with cheap, mass produced jewelry.  I consider my work to be "art jewelry".  That being said, there are all sorts of other catagories--"fine jewelry" being at the top of the heap.  I consider fine jewelry anything made using precious metals and gemstones.  BUT, that doesn't mean there isn't a ton of mass produced, crappy fine jewelry out there--just visit WalMart and BEHOLD...

The reason I bring this up is because my work doesn't exactly fit into any category.  Sometimes I use precious metals, most time I do not.  Sometimes I use fine gemstones, most times I do not.  My goal is to create original, AFFORDABLE art jewelry with whatever materials strike my fancy.  If I make something using sterling or gold, I can assure you it is only because I was able to purchase said sterling or gold SUPER CHEAP.  Affordability is really important to me, probably becuase I have never been able to afford what is considered fine jewelry.  Luckily, I also don't really care for that stuff anyway.  I have always been attracted to the unusual, the pieces that are obviously designed and hand-crafted by an artist thinking outside the conventional jewelry box. 

So, I may use base metals or really inexpensive elements in my designs, but don't call me cheap!  The end result is always a singular design, well-crafted and carefully constructed.  I once was hesitant to use nickel silver or pewter in my work, worrying that it would "cheapen" the finished product.  STUPID!  I encourage everyone to explore working with these materials, and to come up with original designs that bely the inexpensive componants.  Bottom line, I want my work to be worn, to be purchased, to be enjoyed by as many people as possible.  Sure, I can make you something using only sterling silver or fine gold, but the cost (too me) outweighs any design benefit.  Plus, it somehow seems unseemly to be setting fake grass or coyote teeth in 14k gold....just saying...

There are so many innovative, inexpensive design elements out there for the picking that translate into personal, inspirational designs.  I am a mixed media fanatic, and there is no button, photograph or dried leaf safe from my resin-coated fingers, and don't get me started on bone, feathers and fur...It's all in the translation, the way you work with common elements to create something uncommon and beautiful.

So, hit your local Michael's Craft Store and dig through the bead section.  Then hit the scrap book section, then hit the floral department.  Then head for your local hardware store and bring home some copper pipe and a pipe cutter.  You will be amazed at what you can create if you take a big step outside that jewelry box...







These three rings were made using inexpensive elements and componants including base metal ring blanks, copper washers and pipe, etched brass discs, and faux flowers and grasses.

Saturday, April 30, 2011

Dreams Become Reality


I'm always designing in my head.  No matter how busy I am, my thoughts inevitably turn to some sort of creative endeavor.  Sometimes being too busy to actually sit down and create can be a good thing.  This pendant, "Arbor Boy" is a good example.  I'd been imagining this pendant for weeks, going over every detail in my mind, but had no time to actually work on it until yesterday.  When I finally sat down to make it, the design flowed like water!

I created him from a tiny antique porcelain doll head set on an etched/heat treated copper "stage".  A hand made tree grows from his head, and below an antique sterling silver fork acts as roots, holding a French blown glass level.  Copper, brass and pewter gears accent. 

Arbor Boy represents my belief that we must think and live  "green" to restore balance to our planet.

So, don't be too impatient to create your next big idea/design.  Let it live and grow in your imagination for a bit, and the final result may be all the better for it.

Thursday, September 16, 2010

Dive Down the Rabbit Hole...

Okay, strap yourselves in and get ready to blow your mind with some FREAKY, CRAZY, GORGEOUS stuff. I just discovered Keith E. Lo Bue and he is my new PERSONAL HERO. Please, please take some time to sip a goblet of absinthe and browse his web site. He takes mixed media art and jewelry design to an entirely unheard of level. What he does with spoons...Holy Moly!!! Whether you are a fan of "steampunk" art or not, you simply can't deny the man's unholy talent. I'm green with envy....and FILLED with inspiration. So, take off your rose-colored glasses (unless the frames are made from animal bones) and prepare to be AMAZED.


Saturday, July 24, 2010

"Spill, Baby, Spill"

I live in South Florida, on the east coast. Since the day the DWH blew up I have been completely overwhelmed by the mind-boggling ecological disaster unfolding in the Gulf. This piece was created with this in mind. It's called "Spill, Baby, Spill" and I made it using an antique 3-inch porcelain doll body splattered with black paint. A tiny, sterling silver dolphin, colored black with patina is trying to escape the doll's head. I really like the result. Will be showing this in an upcoming art show in Sept called "Raging Art".

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Thursday, April 8, 2010

Cool Artist Alert!

My super-hip niece, Laura, sent me a link on Facebook a while back to a super-cool artist website. French artist Maissa Toulet creates "cabinets of curiosities", 3-D assemblages containing...well...everything! Totally cool, unbelievably unique, these dioramas are amazing. Please take some time here, you'll be compelled to look at each creation--full of detail and amazing botanical elements. Love this!!!


Wednesday, March 3, 2010

New Work...

I've been busy lately working on new designs. I was part of a great art show last week for the conservation organization I work for, the Rare Species Conservatory Foundation. We hold a nature-inspired art show every year. This was the fourth year for the show, and we get better each time! Great artists, lovely venue (a private studio behind a friend's house). We had a ball and shared some wonderful art. The images below are of a few of my new designs created for the show. More to come!




Also, I had the wonderful good fortune to meet Bernie Berlin yesterday while updating my gallery display at Clay Glass Metal Stone Gallery in Lake Worth. Bernie is a fantastic mixed media artist--get to Amazon to purchase her book, "Artist Trading Card Workshop". Totally cool. Her eye for color and design is FANTASTIC. Bernie raises money through her art to support the rescue and placement of unwanted dogs and cats. Visit her at A Place To Bark, her animal rescue organization. So nice to run into her...you never know who you're going to meet on any given day. Art is such a unifying force and the force was definately with me yesterday!



Wednesday, February 24, 2010

Cernunnos - God of the Forest Assemblage Necklace

I found these amazing antique porcelain doll bodies, they are from ArtChix Studios. They are hollow, and perfect for assemblage work. This is my newest design using the last of my doll bodies. Back to ArtChix--I hope they have more!

I created Cernunnos, a mythical God of the Forest, Protector of the Hunt. I wanted this piece to be an example of wearable art--I designed it to be displayed when not being worn. It is also my first multi-functional piece. The headdress, created from feathers and silver-over-copper antlers set in a silver cone, is a removable pendant that can be worn alone. The sterling silver ball chain is attached and fits inside the doll body with ease. Around his neck are silk fibers and a "necklace" made from a gorgeous rubilite garnet and fine brass wire. I hand-made as much of the componants as possible--the sterling silver "branch" arms, the brass "branch" and copper leaves are all made by me. I also included a removable hand-made sterling silver antler ring attached below the doll body, held in place with a sterling silver "T" bar. A manufactured brass leaf accents here. The entire piece is connected to 18-inches of antiqued brass chain with a hammered brass "S" closure. I even made the bamboo stand for display.

So, you can wear this complete as a truly amazing statement piece, or separately for every day. I especially like the ring--it's adjustable and really fun to wear.

It was a labor of love to make this--I can't wait to wear it out!!!

Monday, January 25, 2010

Sunday--It was a Good Day!

Yesterday (Sunday) was a nicely productive day for me in the studio. My head was chock-full of inspiration from visiting my favorite artist's websites and blogs, and I was ready to try some new techniques and designs. I created four rings, each very different in style and appearance. One incorporates a vintage photograph and loose gemstones under a clear mineral crystal dome, one features a super-cool antique signet stone I found at a funky antique fair, the third features a hand-carved 800 year old bead from Africa, and the last is a huge stack of mixed metals hammered and heat treated with oil pastels. WHEW! Three of the rings are cold-connected, no soldering involved, and use my favorite copper and brass tube bezels in one way or another. I connected the elements using rivets and brass screws. How cool is that???

I'm most excited about working with oil pastels on metal (thank you again, Susan Lenart Kazmer). I had no idea you could work the colors into the metals (with or without patina), heat it with a torch or heat gun, then seal. The possibilities are endless, and I plan to do much, much more with this. I'll keep you posted...

In the meantime, here are a couple photos of the results. What do you think?????


All of these designs are available in my Etsy shop...

Friday, January 22, 2010

Amazing Artist...

Okay, so I'm cruising through Susan Lenart Kazmer's webiste--a constant source of inspiration--and I see they now have a Zine (online magazine). Wonderful stuff, you MUST take some time here. Anyway, while browsing through previous posts and images I discovered Richard Salley, my new FAVORITE ARTIST OF ALL TIME. His work is absolutely inspired. What he does with found objects, metals, wire, heat and patina will take your breath away. His tutorial for a locket pendant created from a rusted automotive flange has me digging through my husband's workshop for similar design elements. AND, he offers an online tutorial to create that very locket!! Please, please visit his site and prepare to pick your jaw up off the ground. I've included a couple images of his work here to whet your appetite...

Monday, May 4, 2009

Wonderfully Weird - Using the Unusual in Jewelry Design

If I were to write a book about jewelry design, the title would be the title of this post. I really love incorporating unusual elements into my work. There are many names for this type of design--mixed media, altered art, assemblage jewelry, and found item jewelry are but a few. I'll go with assemblage jewelry for the purposes of this post.

Assmeblage art is very big right now. Artists like Susan Lenart Kazmer, Tessa Rickard and Stephanie Lee and have pioneered this artform, bringing everything from doll parts and old dominos to burnt out miniature lightbulbs into fine jewelry design. If it can be bezel set, then by gosh BEZEL SET IT! The results are stunning, as you will see on these amazing artist's websites.

I am a collector of oddities, I always have been. My passion for wildlife conservation and animals is evident in my collection of "weird" which covers everything from glass taxidermy eyes to animal bones of all kinds. I especially love working with animal bones. At my work station I have several boxes and containers of bones from raccoons, opossums, and most recently, an iguana. All these items are found on the 30-acre wildlife preserve in which I live. Sunny south Florida is a great place to bone hunt and I often find great, bleached out bones from animal visitors long past. I've collected bones forever, even as a little kid. I like to think I honor the animal by turning their bones into something unique and beautiful to live on in their memory.

I never really considered this all that strange, until my sister visited me recently and discovered my bucket containing a complete opossum skeleton. I could tell she was simultaneously interested and grossed out. I remember she said, "Oh, I bet you'll do something really amazing with this." I immediately started telling her my plans for the vertebrae and teeth--I use these smaller bones in rings and pendants. She nodded politely and then said, "That sounds really cool. But, when you're planning Christmas gifts, remember this isn't for me!" She was trying to joke, but was also deadly serious. That got me thinking--one woman's weird is another woman's wonderful.

I've been lucky. I have created animal bone jewelry that has been appreciated (and actually PURCHASED) by many people. I've never thought twice about using bone or animal fur/feathers in designs. But I wonder, is there such a thing as too weird? Tessa Rickard, I'm sure, would argue and emphatic, "NO!" Some of her work incorporates human teeth for crying out loud! AND, the results are GORGEOUS as you can see in the Lark book 500 Pendants and Lockets, which features her designs.

I guess it's all about having the courage to put your work out there and not be overly influenced by those that may not "get" it. Art is fluid, constantly changing and open to interpretation. Most of all, it's EXPRESSION that matters. Yes you can use a clasp created from your Grandmother's beautiful vintage button collection to finish a necklace made from copper electroformed iguana vertebrae.

So, do you agree??? I've included a few photos here of some of my "weirder" work and ask that all you assemblage artists out there to send me images of your "wonderful weirdness". I'll post them here with links to your web pages.