Showing posts with label art jewelry. Show all posts
Showing posts with label art jewelry. Show all posts

Thursday, April 14, 2016

That's so Bowie...

It's only been almost two years since I posted to this blog. No big thing, right? Sigh...

I am a contributor for Love My Art Jewelry and blog there quite a bit, but have woefully neglected this page. Sorry....BUT HERE I AM!!

Today's post is in support of LMAJ's current Blog Hop of jewelry and art inspired by David Bowie. Bowie was such an artistic force of nature in so many ways. Music, fashion, film, a writer, a philosopher, A REBEL. A truly "otherworldly" figure that inspired generations and will continue to inspire even in death. He launched his last album three days before he left this planet for good and now millions play the music on repeat searching for hidden meaning in what has become a musical will and testament. In a nutshell, the dude was unfathomably spectacular.

When Staci Louise Smith suggested Bowie as our inspiration for this blog hop I know that most of us at LMAJ figured "No brainer". So much material to draw from, so much to use for inspiration. BUT, I now know personally and from chatting with my blog-mates, this challenge has actually been difficult for many. I believe because Bowie was SO MUCH MORE than one thing. How do you dive into all that amazing madness and hit upon a singular design element to work with? The obvious choice for artists would be his DELIRIOUS aesthetic in clothing and make-up. Micro-mini kimonos and go go boots--check. Neon striped space-suits--check. GLAM ANDROGYNOUS ROCK GOD--CHECK! Talk about an endless pallet of in-your-face designs to choose from....


But wait...

What about the urbane, wickedly handsome thin man in the PERFECT suit? The shot cuffs, crisp lapels, soft color pallet, SLICK AS HELL runway-ready man who looks as though he just stepped out of a GQ cover shoot...what about him?


All this, and OH YEAH, THE MUSIC!!! It's all Bowie, and we haven't even begun to scratch the surface. Soooo, how do you create a piece of art around this brilliant chameleon? Well, here's what I did.


I decided to use the physical man himself as my inspiration for a mixed media pendant. What he looked like in the flesh, words he wrote and spoke, along with imagery celebrating his most famous work, Space Oddity. His eyes were so amazing. One brown, one blue. I focused on that face, the face of an adult who had seen and done what we mere mortals can only imagine. His face is under an optic lens from about 1940. Mr. Bowie saw the world through a very unique lens, and I wanted to nod to his insights. The lower half of his face is covered with a bit of transparency film imprinted with a vintage postcard from Paris. Bowie loved Paris, center of the Fashion World he floated through his entire life. Above, a brass bee. Bowie was a bit of a mystic--a dabbler in many beliefs. Bees, in ancient cultures, were believed to be the sacred insect that bridged the natural world to the underworld. This is a strong subject in much of Bowie's work. I used a hunk of fossil coral to represent the moon, and a sterling silver stars and moon bead floats near his face. Both nods to Major Tom.


On the back, a Bowie anthem. "We could be heroes, just for one day". Nuff said.

Finally, the silver capsule. Another nod to the Space Oddity, and inside a Bowie quote that sums up so much of who Mr. Bowie was...

"I don't know where I'm going from here, but I promise it won't be boring." Words to live by.


Occasionally a person drifts through this tiny planet and amazes absolutely every individual he or she crosses paths with. Bowie was that person. Whether you were/are a fan or not, you cannot deny the man's talent, courage, spirit and fierce independence. Corny as it may be, the Heavens gained another star and the night sky is brighter for it.

Be sure to visit all the other artists' blogs and posts featuring work inspired by Bowie. you can find links right now on the LMAJ blog. Thanks for hopping along....


Sunday, June 1, 2014

For Maya--The Naked Truth

We suffered a terrible loss this week.  The passing of Dr. Maya Angelou has left a silence where once resonated a quiet, calm, deeply emotional and heartful voice.  Her words inspired generations and the echo of her voice will hopefully roll through time forever.
 
Her passing brought to mind something I created a few years ago--a necklace in tribute to women and how women are perceived through time.  Created from images of vintage nudes, steel, and an aged mirror.  Text affirmations in glass vials rest in between.  I wrote something to go with it, but never published what I wrote until now.  This is for every woman out there who has ever struggled and doubted herself.  The necklace now resides with a fantastic, strong, talented and joyous woman in her own right--I could not have wished for a better person to wear this and live this.  Thank you, Durga.  And thank you Dr. Angelou, for so eloquently speaking and  joyously living your truth, and for sharing that truth with the world.
 
For Maya--The Naked Truth
 
 
What age am I you ask?
 
I'm the age where I answer to no one but myself.
 
I'm the age where the only opinion that matters is my own.
 
I'm the age where my hair, my clothes and my body are configured, adorned and displayed to please only me.
 
I'm the age where a great sense of humor and a strong sense of self
are a thousand times sexier than a big dick or a big ego.
 

I'm the age where sex, when I choose to have it, is mind-blowing.
 
I'm the age where the people I love and choose to spend time with understand what that time is. 
 
A gift.
 
I’m the age where time has meaning, and if you waste mine you have stolen from me
and I will have none left for you.
 
I’m the age when the brand, make and model mean nothing, but quality and craftsmanship mean everything.
 
I’m the age where art is like breathing and I choose to breathe deeply.
 
I’m the age where I can weep for the world, and I do. 
 
I’m the age where I could choose to look away…but I don’t.
 
My age is a wave that has carried me across a vast ocean, and I ride the swell as long and as far as I can.
 
My age, in a word, is enviable.
 

Wednesday, September 11, 2013

So, It's All Diana Nyad's Fault...

So, it's all Diana Nyad's fault.  I'm sure you have heard of her spectacular achievement of late...no big thing...just swam solo from Cuba to Key West without a shark cage.  Oh, and she's 64.  So...there's THAT!


 Anyway, her conquest of this particular stretch of ocean was many years in coming, and one of the many obstacles she had to overcome presented itself in a deceptively small package.  A small and potentially deadly package.  I'm talking about jellyfish.  Jellyfish that have caused her to abandon the swim on more than one occasion.  If you have never been stung by one, it's so hard to describe the pain.  I grew up in South Florida and have been swiped by a jellyfish or two...never anything major, just hit by a trailing tentacle and BELIEVED I WAS BEING CONSUMED BY LIQUID FIRE.  Now imagine swimming into a school of dozens of jellyfish...face first.  HOLY CRAP.  That is what Diana Nyad has done...more than once.  And she still gets back in the water.  Damn.

So, with all this in mind, and feeling so PROUD for her that this time she MADE IT, I was inspired to make a jellyfish pendant for her.  I call it "Nemesis of Nyad".  Hand constructed out of copper, brass and enamel copper, with pearls.  It should be in her publicist's hands about now, and I anxiously await Diana's reaction.  I hope she likes it!
 

 This design is now rooted in my brain, like, with tentacles or something.  I'm making a few more in silver and brass.  It's such an organic, flowing shape that lends itself to so many design possibilities.  I have a ton of ideas brewing.  One of which was to make a jellyfish bangle bracelet.  I imagined all those tentacles flowing around my wrist and figured this would be a relatively easy design to create.  WRONG, WRONG, WRONG.  What a nightmare.  It began so well...creating the jellyfish body, then laying out the tentacles, getting the flow, then trying in vain to wrap that mother around my bracelet mandrel.  My fatal flaw(s) was impatience (I didn't think ahead enough to plan for the placement of all the wonky tentacles), and not really knowing how long I needed the tentacles to be to create a standard 8-inch bangle because of all the bends and curves, which I created sort of as I went.  Well, after the initial failed wrap around the bracelet mandrel, I realized that I would need to solder the tentacles together in spots, as some were shorter than others.  I used 14 gauge nickel silver wire-- I wanted the bangle to be stiff to hold all the bends and curls.  Having forced it around the mandrel once, I had to hammer it flat again, and with all the flow, curls and bends that was basically impossible.  Sigh.  I went at it anyway, spot soldering where I thought I needed to in order to hold the tentacles together.  Here is where the swearing began.  The first spot solder was perfect.  Moved on to the next and as soon as the solder flowed the first join popped.  Fixed that and the second join...you guessed it...POPPED.   At this point you're thinking, "binding wire, Karen".  Well, I have never used it and don't have any so SHUT UP!  This went on for about 75 years.  Okay, maybe not that long, but it sure felt like it.  Nickel silver is great to work with but the more you heat it the more brittle it becomes.  I won't bore you with all the grisly details, but by the end of it all I had created an amazing contraption using ceramic tiles, a third hand, and ceramic bead trees stacked together to cage this beast of a bangle so I could FINISH THE DAMNED THING!  And here it is.  I don't know if I love it or hate it.  I do know I will NOT be making another one like this.
 
 And, as I said in the beginning, it's all Diana Nyad's fault.

Seriously, I love you Diana, and I congratulate you and your team.  Hope you like your pendant, call me!


Tuesday, September 3, 2013

I Need Your Vote...PLEASE!



Hi All!  I made this video last night, explaining why I am so crazy to win the Martha Stewart American Made contest.  Please watch, then consider voting for me.  I would so love to share this with other artists in my community, and need your help to do that.  You can log on and vote six times a day between now and Sept 13th.  I know it's a long shot, but it would be so FANTASTIC if I won and could share this with my artist friends.  Thanks in advance...

Saturday, August 31, 2013

Hello, World...Sorry We're Killing You

I've been in a bit of a dark head-space lately.  Don't ask why, just turn on the news.  If you are one of those folks who proudly declares, "I don't watch the news or read the newspaper--it's too depressing", forgive me if I want to punch you in the throat.   Refusing to acknowledge the times we live in doesn't make it all better, it just means you are actively choosing not only to do NOTHING ABOUT IT, but you are also insulting those in the world struggling to survive in horrific circumstances by pretending they don't exist.   Your pretend world doesn't interest me.

That being said, I feel that in this moment in time,  we bear witness to some of the most tragic, depraved, desperate and mindless behaviors of our species.

As we watch, we are inundated with technicolor images and bold-faced text describing and displaying the worst of humanity.  A tidal wave of despair in pixels and paper.  How to make sense of it?  How to weed through the flood of noise that is the news these days to really understand what we are being shown?  I want to reach through the screen, try to touch a real flesh and blood human being, establish some sort of contact to say, "I'm here,  I see you.  I hear you and I weep for you."

It's overwhelming.
 
I have a series of pendants and necklaces I call "Sacred Salvage".  Within this are "Poetry Pieces" and "Storybook Necklaces".  These are designs created around a short story or poem I have written.  They incorporate found objects, mixed metals, all manner of this and that.  I felt the need to create a new assemblage, but without a printed story to go with it.  I wanted the piece itself to be the story. 
 
"Screaming Silence - Read Between the Lines"

 So, I sat at my bench and started gathering bits and pieces together.  A story was brewing in my mind, a sad story but one I wanted to tell.  I've been asked what my process is when I make a storybook or assemblage design, and I have absolutely no definitive answer.  I usually begin with an idea.  Sometimes just a word.  Today two words jumped out at me--"guise" and "forlorn".  I found them on a bit of transparency sheet.  I formulated a rough picture in my brain of a window, with the cover rolled back.  Newsprint crammed full of text with a face peering from behind, trying to be seen amidst the noise--the hidden agendas.  More newsprint is jammed into the window cover.  Mind you, as I imagined this, I am sifting and sifting through drawers and dozens of boxes on my table.  It's actually kind of mindless in a purposeful way--if that makes sense at all.  I also totally lose track of time at this point.  I wanted three dimensional items to reflect the story--a tiny broken doll arm for the loss of innocence, a dragonfly wing for the desperate, futile urge to flee, a watch arm for the passage of time.  Turquoise represents the Earth to me, cracked and nearly ruined, but still blue.  A broken circle holds it all with a drop of red enamel representing the horror of spilled blood.  Held together with rivets and screws.

No, it's not a happy creation.  I made it with a heavy heart and tears in my eyes.  I wanted it to be beautiful though, because ALL LIFE SHOULD BE BEAUTIFUL.  There is beauty all around us.  What I don't understand is why, at this moment in history, mankind seems to want to destroy all that is beautiful.

So, we bear witness.
 
I hope this pendant finds a home with someone who will appreciate and understand this story.  I've been asked if it is hard to part with some of these designs.  The answer is no.  Stories are meant to be shared, passed on.  That's how they stay alive.  I hope someone wants this pendant to add to their own story.
 

Sunday, June 23, 2013

Tallmadge's Dragons - An Original Short Story


18th August 1869

My Dearest Winifred,

 I write to you now beneath a concert of raindrops beating against the roof of my bedchamber.  While my accommodations have been less than luxurious by any standard, I find the thatch and tin roof more than adequate for my purpose.  These past few months have been torture without you, Dearest, and I fear that the seasons may come and go before we are again together.  For me, there will be no visible signals as Mother Nature flows across time.  No brightening of Autumnal leaves, no nip of cold upon the morning breeze, just the endless tropic heat and ever green bounty of foliage growing to astronomical size and dimension. 

But my purpose to document these marvels of nature is clear, and I have been immersed in an endless array of unbelievable life forms never before seen by European man.  I could write an entire tome on the catastrophic flowers alone.  Would you believe that one such blossom, emerging only in the depths of night, opens petals the size of your favorite parasol?   And another, the size of a shilling, produces a sticky nektar for the sole purpose of capturing and devouring small insects and lizards misfortunate enough to stumble upon it!  I can hear you now, my Darling, aghast that such a thing occurs in nature.  Fear not, I am ever vigilant and take great care whenever I am in the field.  No harm has befallen me…yet.

I hesitate to put to paper these next words, but I feel I must share with you the most recent of my adventures here in this steaming jungle.  Less than a fortnight ago, while in the bush alone, I came upon an amazing sight.  I discovered a clearing, in the centre of which lay a pool of glowing azure blue water.  The pool was surrounded by the tiny carnivorous plants I described above, along with countless other plants and blooms I have never before seen in my 20 years as a botanist.  As you can well imagine, I was atremble with excitement, and set about gathering samples to sketch and diagramme back at camp.  I had just gathered a handful of flowers and leaves when a soft buzzing began amongst the foliage.  The sound was almost musical, like the draw of a bow across the strings of a violin.  Arising from the brush came a cloud of what appeared to be a form of dragonfly, but like none I had ever seen before.  The insects bodies were of brightest blue, just like the waters of the pond!  Each was in length as long as your favorite quill (the one Mother gave you of ostrich feather).  To my eye  they resembled forged metal with four long wings of blazing silver, as if spun by a silversmith!  These amazing creatures formed a cloud about me, seeming to examine me with bright eyes and a manner reflecting the same curiosity with which I examined them!  I know what you are thinking, Dearest, but the heat had not clouded my mind, intense tho it was.  I found myself sitting at the edge of the pool, enveloped in a living cloud of hundreds of flashing blue and silver bodies.  I swear to you, my Darling Dear, that these insects were attempting to communicate with me!  They beat their wings in a distinct rhythm, a rudimentary language if you will!  The sounds they created were so soothing, so enchanting, I began to drowse, right in their midst.  I felt them alight on my body, tiny feet nearly weightless, shining wings caressing my face and hands.  I tell you, I have never felt such peace but for the moments we have spent together in quite reflection amongst your treasured gardens in Cambridge.  I confess, I was nearly hypnotized!  I do not know how long I spent in the company of these otherworldly creatures, but time seemed of no consequence.  The next thing I knew, I awoke to the sound of Reginald and Walter calling my name over and over again.  I looked about me, but the dragonflies were gone and the pool was no longer brilliant blue, but had turned a dark black.  I roused myself, and left the clearing to join the others, who I found had been frantically searching for me for over 12 hours!  Dearest, I had no sense of time passing at all! 

Needless to say, I did not share my discovery with Walt or Reg,  instead I told them I had lost my compass and muddled my directions in the forest.  I think they believe me, but both regard me with some suspicion now and I doubt I will be left to explore alone from this point on.

 But explore I must, for in the days since, the dragonflies have been calling to me.  Yes, I know how mad that sounds, but it is true none the less.  I see them from the corner of my eye, flashing blue and silver amongst the forest greenery.  I turn, and they are gone!  Walt and Reg don’t know what to make of my behaviour, and I simply cannot share this with them.  The dragonflies chose to communicate with only me, and I must keep their confidence until we meet again. 

 Last night, they came to me in my dreams, once again enveloping me in their soft, shining wings and serenading me with their aerial music.  I must find them, I simply must.  So, tonight I set out alone to reunite with these fantastical beings.  I hope I can find the clearing again, for I scratched a crude map upon a forest tree when I first discovered the oasis.  Oh Winnie, if only you could have seen them!  Bluer than even your lovely eyes! 

I shall write again, as soon as I can, and one day I hope to bring you here to witness for yourself the magik in this primordial forest.  Until then, I reach to you across the seas, soul to soul, heart to heart.

Yours Forever, 

Matthias

This letter was the last communication that Winifred Tallmadge ever received from her husband, the famed explorer and botanist, Professor Matthias Tallmadge.  Enclosed with the letter were a few scraps of paper, believed to be from Prof. Tallmadge’s field notebook.  The notes are unintelligible, and include drawings of unidentified plants and insects.   Also included with the letter was a 3-inch long insect wing resembling a dragonfly wing, but made of fine silver.

Prof. Tallmadge’s research partners, Professors Reginald Moorehaven and Walter LeMoyne, discovered his bunk empty.  After 24 hours with no sign of Tallmadge returning to camp, a search party was dispatched.  The search continued for three weeks before the determination was made that Tallmadge had somehow become lost and perished in the jungle.  The clearing mentioned in Tallmadge’s letter was never found, but his spectacles and part of his field notebook were discovered at the base of a tree carved with Tallmadge’s name alongside his wife’s name.  His body was never recovered.  It was noted that in the days after Tallmadge’s disappearance, the field station was inundated with thousands of insects noted to be a new un-described species of blue dragonfly.   No specimens were ever captured or preserved, and it was recorded by the team and several other witnesses that the insects vanished the same day the search for Tallmadge was suspended. 

Mrs. Tallmadge pledged to fund a continued search for her husband, and did so for the rest of her life until she passed away at the age of 86.  The disappearance of Professor Matthias Tallmadge remains a mystery to this day.

Post Script:

The following transcript was added to this file by Peirce Moorehaven, son of Professor Reginald Moorehaven, the last surviving member of the Tallmadge research team at the time of Winifred Tallmadge’s death.

“My Father was 97 when Mrs. Tallmadge died.  He insisted we attend her funeral, both the church service and the grave side ceremony following.  By this time Father was very crippled with arthritis and other maladies affecting a man  of his great age, but with my help we managed to walk from our carriage to the grave site, along with the rest of the funeral party.  As the minister was speaking beside Mrs. Tallmadge’s coffin, my father became extremely agitated, pointing to the Tallmadge grave marker.  Two large blue dragonflies with silver wings were hovering over the stone, eventually landing on the carved marble.  They remained there until the ceremony was over, then vanished in the blink of an eye.  My father referred to them as “Tallmadge’s Dragons” and insisted they were an omen of some sort.  We left at this point, as Father was near to fainting from exhaustion.  No matter how I pressed him, he refused to speak of the incident ever again and passed away some weeks later.  Whatever secrets he discovered in the jungle with Tallmadge died with him, but I shall never forget those spectacular dragonflies.” 

Library at Oxford, 2013

Tuesday, January 15, 2013

New Year, New Designs, New Show...

2013 has begun in creative frenzy.  I have managed to shake off the low feelings and dark thoughts that accompanied a very emotionally exhausting Holiday Season.  Cleared my bench, my mind, and my calendar!  Looking ahead now to one of my most favorite events, a wildlife-themed art show I co-host every February with my dear friend and artist Gisela Pferdekamper.  This will be the seventh year for this show, dedicated to raising funds for the Rare Species Conservatory Foundation.  Held in Gisela's converted barn (she is a wonderful sculptor and turned her barn into a working studio), this show has evolved from a word-of-mouth event with a few of our local artist friends getting together for a fun evening, to a three-day show featuring works from award-winning artists from around the country.  Last year we attracted over 300 guests for our opening night reception alone!  The outpouring of support from the arts community for this event has been so overwhelming--all participating artists donate 25% of show sales to RSCF.  This year's show will be held February 10 - 12, we have 18 artists participating, and several live art events opening night including a raku firing and live body painting.  All the work is inspired by nature--really gorgeous stuff --photography, sculpture, fine jewelry, paintings, pottery, mixed media and more.  I've included the invitation here, featuring a lovely art photograph courtesy of Melinda Moore of our female golden lion tamarin.  Zeppo has never looked better!

I'm feverishly creating new works for this show, and have hit on a couple of pendant designs I really love.  I call them Ladder Works and Glyphs.  The Ladder Works feature hand constructed and soldered wire ladder-style bases from which I build layers of elements cold connected with rivets or screws.  Brass and bronze wire have caught my fancy at the moment, I love the deep golden color and ease of use (solders and hammers beautifully).  The Glyphs are textured open-wire designs, accented with a cold connected element.  I call them Glyphs because my brother commented that he likes the style because each pendant reminds him of symbols of a lost language from an ancient tribe.  I love that!  These two design styles are perfect for another of my current obsessions, enamel copper discs by MaryAnn Carroll of Artisan Beads Plus.  I absolutely love them and use them constantly--the rich rustic colors are so intense and gorgeous!  Perfect for layering and cold connecting.  I plan to have a nice collection of these for the show and am offering some in my Etsy Shop as well.


I'll keep you posted with photos from the show--it will be such a fun night.  AND, if you are in my neck of the woods, do come by for this event.  Great art, great cause, great artists.  See you there! 


Wednesday, January 2, 2013

Looking Ahead...

Welcome 2013!  Clean slate, metaphorically speaking, right?  Clean work bench at any rate....new designs brewing in my brain, anxious to become reality.  Got a fabulous package of goodies from Becky Nunn of Nunn Design, to stock me with the very latest jewelry components from their soon-to-be-released 2013 catalog.  Yes, I am so happy to be a part of the 2013 Nunn Innovation Team!  Becky also sent me a PDF preview of the catalog and I drooled all over my keyboard.  So many lovely design elements!!  Many included with the 2013 stash she sent me.  Already been busy, effectively destroying my clean work surface in a creative frenzy.  I can't share photos of the new stuff yet, (I send the finished designs to Becky first and she promotes for us--SWEET) but I can tell you about my favorites so far...first off, the brass elements coming out for Nunn are FABULOUS and I've been cold connecting like mad (made a gorgeous cuff).  Deep bezels in many sizes (great for us mixed media, assemblage folks--I made two really cool pendants filled with this and that), tons of unique, detailed stampings, new clasps, closures, chains, findings, chatons, settings, bangles, and SO MUCH MORE.  I have included here some photos from the catalog of finished designs from the Innovation Team, including some of mine.  Becky has a great team and the photography for the catalog is to die for.  

So, get to the Nunn website and go crazy!  She offers wholesale accounts for designers and links to retail outlets that carry the products.  You won't be disappointed! 



Friday, December 28, 2012

Great Way to Start the Day...

Woke up this morning to find one of my rings featured on the Jewelry Making Daily blog! My Party Hat Ring, created here for Nunn Designs, features a gorgeous ornate adjustable ring blank in gold by Nunn, layered with lots of colors and textures in brass, aluminum, enamel and more. Topped off with a lovely purple enamel dangle. This ring is super-fun and easy to make. Check out the step-by-step instructions on the blog, and make one for yourself! A party for your hand….and who doesn’t like a good party?!?!
 
 

Holidays, Get Thee Behind Me!

I know that the holidays are a time for family, food, giving, receiving, and fellowship. They are also a time for stress and chaos, so I am glad to be on the other side of Christmas. Especially this year, so full of tragedy and pain for so many. I’m not sure our country will be able to truly celebrate this season for a long, long time.
 
So, we reflect, stiffen our spines, and move on. Searching for beauty in the madness, we must somehow energize our souls and replenish our spirits as best we can. Art, in it’s infinite forms, has always been a tonic to sooth my battered psych. A way to refresh my mind and bring inspiration when none seems possible. Art, and the ability to express myself through it, has saved my sanity on more than one occasion.
 
Yet, this time, this time we live in, weighs so heavily on me now. I am struggling to find the spark, to put my hands and heart to work again. The furious flurry of creative activity leading up to Christmas was exhilarating and joyous for me. From my hands I created thoughtful, beautiful gifts, and found myself exploring new designs and mediums with ease and inspiration. Not so now, and I am having a really tough time re-starting my “engine”.
 
I have commitments and deadlines and promises to keep. I have been so lucky and blessed to be chosen to continue as part of Becky Nunn’s 2013 Nunn Design Innovation Team. I have projects that will be published in the coming year, something that has never happened for me before working with Becky. I am so thankful (and a bit terrified!).
 
My goal is to try to begin as fresh as I can. Today, I attack my workspace to simply clear it and organize. If that is all I accomplish today, that’s fine. I hope that each day I will be a little clearer, hopefully a little lighter in spirit. I will not push, or stress myself right now, no matter how I long for that feeling—that magic when time blurs, hours fly, and suddenly you hold in your hands something entirely new and beautiful. It will come, I hope, soon.
 
I would like to hear from other artists…how you deal with times like this, when it seems impossible to see beyond the chaos. Please share, and I wish you all the very best in this coming year. Peace for us all….
 
 

Tuesday, April 17, 2012

Nunn Designs - Kid in a Candy Store!!!

I've posted before about how excited I am to be a part of Nunn Designs Innovation Team for 2012.  The team is made up of some really amazing, talente jewelry designers and artists, and I am so happy to be included with these folks!  Since January, we have all been playing with Rebecca Nunn's wonderful line of jewelry componants and I am having a ball.  We've been a bit secretive, and haven't been able to share many of the completed designs.  That is becuase Becky shows our designs to potential jewelry and art magazine editors in hopes of promoting our work.  How cool is that????  Well, I have been given the "green light" to talk about some of the designs I have created so far.  I have said it before, and I'll say it again, I am so pleased with the quality of Nunn componants!  The bezels, chains, ring blanks, and charms are so well designed and well made.  I especially love the variety of styles and finishes...bright silver, pewter, brass, antique brass and more, all equally lovely.  The pendant shown below was created using resin, a Patera bezel pendant  heart, round bezel charm, collage sheets, fern and spiral connectors with Nunn's great chain in copper and brass.  The bracelet was made with silver chain, bezel charms, resin, collage sheets and charms. 

These initial designs were created when I was familiarizing myself with the products.  Since then, I have gone totally crazy and integrated the products with "my" style (in effect beating them up, drilling, and generally torturing them) with GREAT results.  More photos to come.

I played with resins, transfer sheets, collages and more--all availalble through Nunn.  I find that the Patera bezels, tags and pendants are really fun.  Great to stamp, drill, etc.  The layered, raised tags really are super cool, can't wait to work with them.  The bracelet blanks are also wonderful, I just created a resin set bracelet I'd love to share....maybe next time.  Anyway, the line is affordable, gorgeous, and great for mixed media freaks like me.

AND, you can find wonderful tutorials and how-to videos on the Nunn site, so go there and get inspired!


Friday, March 2, 2012

Pinching Pennies Leads to Inspiration!

I don't need to tell you how crazy the precious metals market is right now.  The cost of silver and gold is CRAZY, more volitle than a roller-coaster ride, and no where near as fun.  I made the decision to forgoe precious metals a long time ago, to save my pocket book and my soul.  Mining for gold is one step from slavery--costing human life as well as the almighty dollar.  I am not interested, and will not support this.  EVER.

So, lucky for me I love working with reclaimed materials and metals like copper, brass and nickel silver.  A personal favorite bezel material for me is copper and brass tube.  Comes in all sorts of sizes, available at most hardware stores and is extremely cost effective.  Plus the possibliities are ENDLESS with how you can patina, age, color and work these metals!  Nickel silver is also a wonderful sterling alternative--polishes, solders and behaves just like the "real" stuff.  All are available in wire, sheet, tube, and pre-cut shapes of all sizes and gauges.

The sticking point is that many folks are allergic to nickel and also have skin types that may react poorly to copper and brass.  Since jewelry is mostly worn close to the skin (especially bracelets, rings and pendants), this can be a real problem for designers.  Well, I have some suggestions I'd like to share.

First, let's talk about a new love of mine--aluminum.  I've recently begun working with aluminum wire and I love it.  Lightweight, hypoallergenic and looks just like silver.  It's great for accents and ring shanks--hammers fantastically and is great for drilling.  Because it is so soft I don't suggest using it in any really structural way, but for cold-connected accents, bagles, and rings it's great!  You can't solder aluminum to anything but aluminum, and even then it's tricky.  You have to use specific aluminum solders (also available at most home improvement stores), but it just doesn't like to be soldered!  So, for cold connection fools like me, that's not a problem.  I do love my micro-screws and rivets.  The image here is of a boulder opal pendant and brass cuff bracelet accented with aluminum.  Looks just like sterling, right??????  I just ordered some aluminum sheet and cuff blanks on Etsy...I'll let you know what I think when I get it.  Aluminum is now also available in wire, sheet and shapes of all sizes and gauges.  Google it!

Now, back to the nickel, brass, copper dilema.  Brass and copper, no matter what you do to them, will change color over time.  Even if you patina them, polish them and seal with the world's best metal sealant, they will still color change if worn on skin over time.  These metals react to heat, and body heat is enough to change them eventually.  I don't have a problem with this, since I think the aging of these metals is gorgeous.  Blues, greens, purples, reds...so amazing.  Sealing them with acrylics will slow this down, but nothing is permanant and I tell my clients this up front.  But what about the allergy issue??? What about  the client who's skin turns green at the touch of brass or copper???  Well, I have a couple tricks that have worked extremely well for me.

Number one--transparency films.  I back my copper, brass and nickel rings and cuffs with transparency film, resin set in place with Ice Resin.  You can get wonderful transparencies all over the web, I get mine from ArtChix Studios.  This adds another design element to your ring or cuff, giving the inside of the band a whole new look!  Text is great here...you can personalize this in so many ways, and when finished the metal never touches the skin.  I also coat the entire thing with 4 coats of metal sealer as well.  You an also use resin set papers and fabric (silk and tissue paper are really cool).  Go nuts!


Next--back pendants with found objects.  Buttons, pictures, watch faces, transparencies, fabric, polymer clay, images behind mica, whatever you can think of!  Again, you have a whole new element to add to the overall design.  I make the backs of my pendants as interesting as the front!  Clock and watch faces are my go-to (many are porcelain...nice).  I rivet or microscrew them in place first thing, then work on the front design.  The goal is a protective barrier between the metal and skin.  Mica is really fun, over dried flowers, paper, feathers, whatever!!!  Set in place with resins or cold connections. 

So, don't be intimidated by "base" metals and convince your clients of the same.  With a little creativity and time, you can create some amazing jewelry that has layers (litterally) of design.  If you give this a try, please let me know what you think!  And, as always, I love to see pictures of your work!  Have fun!!


Wednesday, February 15, 2012

I Made the TEAM and a Bunch of Other News...

Wow, is it 2012 already? IS IT FEBRUARY ALREADY?!?!? Time has flown and I've been woefully lax in posting here. If you don't already know, I also post quite a bit on Facebook, so mosey on over there and "Like" me!  Thanks!

Now, for the news.  Most recently I participated in the sixth annual Wild Things Art Show benefiting the Rare Species Conservatory Foundation.  What a great night!!!  This show is so special.  Artists from all around the country come and offer works inspired by nature.  The show is held at a good friend's home, in her studio that is a converted barn.  I've included a slideshow here of images from the night.  What a blast.  Live art demos, body painting, food, drink and best of all, INCREDIBLE ART. of all kinds.  Some of my favorite artists were there, including Anthony Burks, Melinda Moore, Donatella Linari and Norman Gitzen.  The highlight of the night for me was when New York Times bestselling author Tami Hoag purchased one of my newest and HUGEST designs called "Dreams to Desire" (pictured here).  This necklace is one of my favorites ever, a collaboration with the uber-talented Staci Louise.  I'm so thrilled!!  The event raised a nice bit of money for RSCF, all in support of wildlife conservation.  We will be posting a smaller, online version of the show so you all can have a chance to buy gorgeous art and support RSCF as well.  I'll keep you posted!!!  By the way, I always donate 25% of my Etsy sales to this wonderful organization, so please, visit my shop and BUY SOMETHING....thanks :)





Next, I have to tell you how excited I am to be chosen by Nunn Design to join their 2012 Innovation Team.  That means that every month I get to play with Nunn's wonderful line of jewelry supplies, creating whatever I feel!  I can't show you the work yet, but I can tell you that I am very impressed with the quality of Nunn's componants.  I am especially in love with their chain.  Comes in so many styles and finishes!  Weighty and really top-notch.  I definately suggest you immediately go there and purchase some.  You won't be dissapointed.  Great value as well!  AND, they have endless bezels in tons of shapes, forms and design.  Perfect for resins, big stones, and all the crazy bits and pieces I love to work with.  When I got my first "goodie" box I felt like a kid a Christmas!  As soon as I can I'll share images with you.  Check out the site, but set aside some time to do so, they have so much to see!

What's next?  Well, 2012 will be a great year for us all, right??  I'm showing a new line of work at a new Gallery in Lake Worth run by the Cultural Council.  No jewelry (gasp), instead, I am focusing on a new series of mixed media relequaries and totem boxes.  The series is called "Fly" and features antique doll parts along with lots of other weirdness.  Flight is such a magical thing, and birds are a big focus in my life.  So, these boxes will be on display only in this Gallery (for now).  Here are a few images....I'd love to hear what you think of them!  This year I hope to expand this series and work with more non-jewelry designs.  Have no fear, I'm making jewelry, but want to flex other design muscles as well.


Whew, that's a quick update...I'll try to post more often, I swear!

Thursday, November 10, 2011

Playing with PVC

I love Robert Dancik's work. He is the creator of Faux Bone, a pvc product in sheet form that you can easily form, carve and treat to look like aged bone. I haunt his website and love his tutorials. Since discovering Faux Bone, I have also started experimenting with PVC on my own. It's inexpensive (cheap, actually) and easily available at local hardware and home improvement stores.

I recently stumbled upon a bracelet design while helping my husband clean off his work bench in our garage. He had some PVC pipe fittings laying around, and I found one that I initially thought would work well as a bracelet form for my wire work. It was a 2.5 inside diameter, schedule 40 PVC pipe fitting. The outside circumference is the perfect size for a standard bangle. Then it occured to me that maybe I could make a bangle from the pipe alone....hmmmmmm. A couple hours later and I had a lovely, aged bone bangle with copper accents.

So, I give you the Super-Cool PVC Bangle Tutorial! I wanted to share this because it's so fun to make and inexpensive to boot! This is a perfect holiday gift idea, and you can customize the look any way you wish!

Take a peek, and let me know what you think. If you make a bangle, I'd love to see it. Share the photos and I'll post here.

Have fun!!!
PVC Bracelet Tutorial

Friday, September 9, 2011

I've Got A Book!

For some time now I have been writing short stories and poems to go along with mixed media jewelry designs.  I call this series "Sacred Salvage".  Several folks that have read the work have asked why I haven't put together a book.  Basically, it's because the idea of putting this all "out there" terrifies me!  My writing is very personal, and the idea of throwing it to the winds is very intimidating.  Everyone is a critic, and the thought of having my inner works poked through really gets to me.  But, I then realized I was being a big baby.  So, I am proud to announce that Sacred Salvage is now available through Blurb.

The book is laid out like a photo book with text.  I have to thank Durga Garcia, photographer extraordinare, for the cover and chapter photos.  They're gorgeous!  The rest of the photos are mine.  This book means so much to me, because it truly reflects what inspires me most in my jewelry designs--nature, personal growth and strength of spirit.  I am donating 100% of my sales proceeds to the Rare Species Conservatory Foundation, so that's one more reason to feel good about buying the book!
I hope you will consider this for yourself or as a gift.  It's more than a jewelry book and more than a book of short stories and poems.  It's my invitation to take a peek into my heart, and I don't offer that lightly.

Thanks in advance to those who buy a copy--you can get 20% off with the coupon code BLURB20.  If you do buy the book, please contact me with your thoughts.  I'm a big girl, and I'd like to hear what you think!




Tuesday, May 3, 2011

Plum Gallery

As of this weekend, my jewelry designs will be available at Plum Gallery in St. Augustine!  This lovely little art haven is tucked away on Aviles Street, run by Karen Sheridan and Maribel Angel.  I discovered it on my last visit to St. Augustine a few weeks ago. 

I am so excited to be a part of this Gallery full of amazing art.  They have "First Friday Art Walks" from 5 - 9 PM, a great way to spend a Friday evening wandering St. Augustine and visiting the many ecclectic galleries all over town.  AND, don't miss "Sangria Sundays" from 2 - 4 PM--pretty self explanatory! 

It is always great to become a part of a new gallery, and Plum gives me another excuse to visit my favorite city as often as I can.  So, if you are in the neighborhood, be sure to stop by for an art walk or a glass of local sangria.  See you there!


Friday, April 1, 2011

Thank You Kim St. Jean

It's funny what gets me to finally bite the bullet and try something new. I've never taken a jewelry class in my life, and am grateful to be alive in the digital age, where you can find almost anything online. There is a video for just about everything (YouTube) and great books and DVDs at our fingertips.

I mentioned Kim St. Jean's new book, Mixed Metal Mania, in a previous post. It's great, go get it right now. Because of this book, I finally tried using stering silver solder paste, wire and sheet to create my own bezels. I am a huge fan of copper and brass tube bezels, which I make using recylcled pipe. But, I also wanted to learn the traditional methods of creating bezels, but didn't have the courage to go for it before now.

Turns out, in my recent studio cleaning frenzy, I found a tube of sterling silver solder paste I totally forgot I even had (and don't really remember buying...Jeez, I'm old) as well as a nice selection of solder wire and sheet. I guess at one time I thought I might actually give this a go! Good thing I did stock up, and I'm very proud to say I now am a soldering fool.

Kim made it look and sound so simple, I figured I had to be able to do it.  The photo below is of a ring I created from scratch--sterling on brass bezel with a nice hunk of Boulder opal.  I am pleased with the results, need to perfect my finishing a bit (you can see the line where the bezel wire meets...boo), but overall I think it 'aint bad for a first try.  FYI, the ring is available in my Etsy shop...just sayin', a girl's gotta eat, so take a peek if you like opals...

I am eager to try more complex designs now, just wish sterling silver prices weren't so crazy.  Remember the days of silver at 50 cents a gram???  Thems was the good ol' days, that's for sure!

Oh, and I also just ordered my very own Fordham FlexShaft.  I burned up my third Dremel set up trying to make it behave like a real machine.  So, that's exciting and totally emptied my wallet....wish me luck!!!


Tuesday, February 22, 2011

New Stuff and a Book Shout-Out

So, I've been working on a new line of neclaces featuring pendants created using vintage photographs, optic lenses and brass gears.  I really love old photos, and mixing ecclectic elements with the designs.  I am lucky to have a huge antique/flea market right near me, with monthly shows.  I have been finding some really cool photos, tin types and old ads that are great for pendants.  Most are from the mid to late 1800s.  I especially like old tin types for thier creepy yet beautiful poses.  So, here's a slide show of some of the new stuff, all available at Clay Glass Metal Stone Gallery in Lake Worth.





Next, I want to give a shout-out to jewelry designer and author Kim St. Jean.  Her new book, Mixed Metal Mania, is fantastic and a must for all jewelry mixed metal enthusiasts.  Great photos, projects and tips, including a list of ways to easily color metals like brass and copper with home made patinas.  I've really enjoyed the jewelry projects, and have further educated myself with her soldering, folding, and metal work techniques.  THANKS KIM!!!  Oh, and Kim, hurry up and get a website, okay?  We want to see more of your work!!!



Thursday, September 23, 2010

Altered Inspiration

I posted the other day about altered art and how it inspires me.  I've been spending some time drooling over some really great artwork, Keith E. Lo Bue of Australia (I already posted about him...) and another wonder-jeweler, Kristin Diener.  Check out her website and be prepared to pick your jaw up off the ground!  Kristin creates stunning assemblage jewelry on a grand scale, and that is putting it mildly.  I especially like her use of vintage and antique eyeglass lenses, still in frame, as cabochons.  What a GREAT idea.  This mixed media, altered art movement is really....well...moving!

At the same time, I am also creating my own series of altered works, inspired by these and other artists, for an upcomming show I will be in called "Theatre of the Absurd - Beauty in Uncommon Forms".  This show is all about mixed media, unusual art.  I'm having a blast.  I have always incorporated found objects such as bone, feathers and fur into my designs, but after seeing what some of these phenomenal artists are up to, I am looking at things entirely differently.  I consider these new "explorations" absolutely infantile--first attempts--but I do enjoy the results so far.  I've included photos here of two new designs.  One is a tiny masonite box shrine called "Southern Girl".  I used a vintage photo, tiny air bromeliads from my back yard, a sea urchin and various gems and charms to create the main "soul" of the piece.  I used an antique porcelain doll body--head above, body below, to finish and give 3-D "body" dimension to the woman pictured.  The piece is about 6 inches tall.  I plan a series of these...I'll post more pics as I go. 

Next is a pretty elaborate piece for me, inspired by Lo Bue, called "When the Baby Comes".  I began with two tiny lidded tins--one an inch round, one a little over an inch rectangle.  I used the tins lids and bottoms as separate items, separate bezels if you will.  In the central round, deep bezel are layers of images and objects including vintage photographs, text transparencies, mica, porcupine quills, watch parts, and paper text.  Below, the rectangular box holds a aged bronze baby, door image, mica, watch parts and leather.   The rest of the necklace is made from the tin lids, which I filled with images and objects front and back--the entire necklace is totally reversable.  I used a key as a link and a tiny key as accent.  The result is pretty damned cool if I say so myself and fun to wear because most of the elements spin individually and are double-sided so you can wear this multiple ways.




I think I am attracted to art like this because most pieces tell a rather detailed story, and I love a good story.  I like jewelry that has meaning as well as beauty.  So, here I go, off on another new artistic journey.  Wish me well on my travels!