Thursday, April 14, 2016

That's so Bowie...

It's only been almost two years since I posted to this blog. No big thing, right? Sigh...

I am a contributor for Love My Art Jewelry and blog there quite a bit, but have woefully neglected this page. Sorry....BUT HERE I AM!!

Today's post is in support of LMAJ's current Blog Hop of jewelry and art inspired by David Bowie. Bowie was such an artistic force of nature in so many ways. Music, fashion, film, a writer, a philosopher, A REBEL. A truly "otherworldly" figure that inspired generations and will continue to inspire even in death. He launched his last album three days before he left this planet for good and now millions play the music on repeat searching for hidden meaning in what has become a musical will and testament. In a nutshell, the dude was unfathomably spectacular.

When Staci Louise Smith suggested Bowie as our inspiration for this blog hop I know that most of us at LMAJ figured "No brainer". So much material to draw from, so much to use for inspiration. BUT, I now know personally and from chatting with my blog-mates, this challenge has actually been difficult for many. I believe because Bowie was SO MUCH MORE than one thing. How do you dive into all that amazing madness and hit upon a singular design element to work with? The obvious choice for artists would be his DELIRIOUS aesthetic in clothing and make-up. Micro-mini kimonos and go go boots--check. Neon striped space-suits--check. GLAM ANDROGYNOUS ROCK GOD--CHECK! Talk about an endless pallet of in-your-face designs to choose from....


But wait...

What about the urbane, wickedly handsome thin man in the PERFECT suit? The shot cuffs, crisp lapels, soft color pallet, SLICK AS HELL runway-ready man who looks as though he just stepped out of a GQ cover shoot...what about him?


All this, and OH YEAH, THE MUSIC!!! It's all Bowie, and we haven't even begun to scratch the surface. Soooo, how do you create a piece of art around this brilliant chameleon? Well, here's what I did.


I decided to use the physical man himself as my inspiration for a mixed media pendant. What he looked like in the flesh, words he wrote and spoke, along with imagery celebrating his most famous work, Space Oddity. His eyes were so amazing. One brown, one blue. I focused on that face, the face of an adult who had seen and done what we mere mortals can only imagine. His face is under an optic lens from about 1940. Mr. Bowie saw the world through a very unique lens, and I wanted to nod to his insights. The lower half of his face is covered with a bit of transparency film imprinted with a vintage postcard from Paris. Bowie loved Paris, center of the Fashion World he floated through his entire life. Above, a brass bee. Bowie was a bit of a mystic--a dabbler in many beliefs. Bees, in ancient cultures, were believed to be the sacred insect that bridged the natural world to the underworld. This is a strong subject in much of Bowie's work. I used a hunk of fossil coral to represent the moon, and a sterling silver stars and moon bead floats near his face. Both nods to Major Tom.


On the back, a Bowie anthem. "We could be heroes, just for one day". Nuff said.

Finally, the silver capsule. Another nod to the Space Oddity, and inside a Bowie quote that sums up so much of who Mr. Bowie was...

"I don't know where I'm going from here, but I promise it won't be boring." Words to live by.


Occasionally a person drifts through this tiny planet and amazes absolutely every individual he or she crosses paths with. Bowie was that person. Whether you were/are a fan or not, you cannot deny the man's talent, courage, spirit and fierce independence. Corny as it may be, the Heavens gained another star and the night sky is brighter for it.

Be sure to visit all the other artists' blogs and posts featuring work inspired by Bowie. you can find links right now on the LMAJ blog. Thanks for hopping along....


Friday, June 20, 2014

Oh Ricky You're So Fine...Man, That's Awful.

I recently began following Ricky Gervais on Facebook, and discovered that he is a passionate animal welfare advocate.  I already knew him as a ridiculously talented actor, comedian and all-around outspoken individual, but didn’t know about his interest in critters.  Cool.

So, I thought, wouldn’t it be amazing if I could somehow get him to notice RSCF?  Wouldn’t he love to come meet Delilah and Ninita and be our new best friend and advocate?  I mean HOW HARD COULD THAT BE, RIGHT???  Yes, I am that naïve and pie-eyed.

Who could possibly resist this??  WHO???
So I sent him some pictures and links on Facebook, and wrote a probably way too long message, and asked all my Facebook friends to like the message and beg ask him to contact us AS IF THAT WOULD WORK.  Well, it did….sort of.  Mr. Gervais posts pics every few days of something mind-blowingly adorable with the caption, “I found this in my belly-button.”  I had the brilliant idea this morning to send him a photo of Ninita with the post, “Mr. Gervais, Ninita, our baby pygmy marmoset, would like to know if you have room in your belly-button for her.”  GENIOUS, AMIRIGHT????  Anyway, he actually responded today in the comments with a smiley-face emoticon, about which I am totally excited and consider “first contact”.  Don’t judge, I have no idea how you go about reaching out to famous people these days.

Screen-grab of the Facebook post with Mr. Gervais SMILEY FACE ACKNOWLEGEMENT!
 
Another Facebook friend forwarded me Mr. Gervais’ management contact info (I have no idea how she got that), and I have decided to write a letter to ask if Ricky (yes, we are on a first name basis since the smiley-face emoticon, right??) would consider meeting us and maybe be a part of one of two documentaries we are considering.  One about the Red-browed Amazon Parrot Program, and another about Delilah and the Bongo Repatriation Program.  Both are equally fascinating—one about a species of parrot brought to the brink of extinction due to habitat loss and the black market pet trade (lots of shady characters, mob connections and even….MURDER), the other a story about the life of an orphaned baby bongo antelope who beat the odds to survive, and her new role as ambassador for a program that has brought her species back from the brink of extinction through captive breeding.  That,  and the successful-nobody-thought-they-could-do-it return of these majestic creatures to their homeland on the protected slopes of Mount Kenya. Get your tissues ready—it’s a tear-jerker. 
So, how the Hell do you put that into an email that is supposed to be two paragraphs no more than 5 sentences each?  That’s what I hear is recommended in a “cold call” like this because celebrities are inundated with requests and if your communication doesn’t grab somebody’s attention in, like, 10 seconds or less it’s one more dumped in the queue headed for the recycle bin.  Notice, I used the word “queue”, which is British, as is Mr. Gervai…I mean Ricky.  Ever since I’ve considered contacting him, all the conversations we have in my head are with British accents.  Yes, I am an idiot.
This stuff just stumps me.  I guess I’m supposed to strap a GoPro on me and run through the field with Delilah for YouTube, or stage some sort of Vine that you pray goes viral featuring Ninta and her toothbrush massages, but I HAVE A REAL LIFE SO THAT’S NOT GOING TO HAPPEN.  I need the folks at Aardman Animations to do a Claymation video of Delilah inviting Mr. Gervais to her prom or something.  That’s still a thing, right? Young folks asking celebrities in a video to go to prom with them?  And yes, it’s Mr. Gervias—who am I kidding????  Hey, Delilah asking him to her prom is pretty damned good idea….hmmmmmmm….sigh, I need help.

Ninita getting a toothbrush massage.
The thing is, we really need someone with a supportive audience and a strong public presence to help us.  We may be a tiny 30-acre facility at the end of a dirt road, but we are home to some of the world’s most endangered wildlife and we succeed where many larger organizations have failed.  Unfortunately, we’re not so good at attracting national support, or a “face”, for our cause.  Bring species back from the brink of extinction?  No problem.  Establish vast tracts of protected habitat home to some of the world’s most endangered plants and animals?  DONE.  Contact a celebrity and get them to support us?  NOT A CLUE.
Why Mr. Gervais?  Why any celebrity?  We live in a time where a recognizable face counts. A LOT.  And more to the point, I respect the man.  He speaks his mind, seems unafraid of voicing his beliefs, and we need that.  Someone willing to tell the truth regarding the status of our world and the incredible damage we have done to it.  And also to show that we can effect change, we can preserve what’s left of nature, but it ain’t pretty and it ain’t easy.  While I am grateful to the recognizable voices behind many “nature shows”, I don’t see Oprah, Morgan Freeman or Alec Baldwin willing to stand up and say out loud what we all know is true—humans have wrought a holocaust against nature with heinous consequences.  I believe Mr. Gervais has the balls to do just that and more.
So, Mr. Gervais, if you see this—please contact us.  There is a tiny monkey, some truly amazing parrots, and a young lady bongo antelope who really want to meet you.  Who really NEED to meet you. 
Now, to squeeze this into two paragraphs 5 sentences each.  Sigh…..

Kisses to you Mr. Gervais!
 

Sunday, June 1, 2014

For Maya--The Naked Truth

We suffered a terrible loss this week.  The passing of Dr. Maya Angelou has left a silence where once resonated a quiet, calm, deeply emotional and heartful voice.  Her words inspired generations and the echo of her voice will hopefully roll through time forever.
 
Her passing brought to mind something I created a few years ago--a necklace in tribute to women and how women are perceived through time.  Created from images of vintage nudes, steel, and an aged mirror.  Text affirmations in glass vials rest in between.  I wrote something to go with it, but never published what I wrote until now.  This is for every woman out there who has ever struggled and doubted herself.  The necklace now resides with a fantastic, strong, talented and joyous woman in her own right--I could not have wished for a better person to wear this and live this.  Thank you, Durga.  And thank you Dr. Angelou, for so eloquently speaking and  joyously living your truth, and for sharing that truth with the world.
 
For Maya--The Naked Truth
 
 
What age am I you ask?
 
I'm the age where I answer to no one but myself.
 
I'm the age where the only opinion that matters is my own.
 
I'm the age where my hair, my clothes and my body are configured, adorned and displayed to please only me.
 
I'm the age where a great sense of humor and a strong sense of self
are a thousand times sexier than a big dick or a big ego.
 

I'm the age where sex, when I choose to have it, is mind-blowing.
 
I'm the age where the people I love and choose to spend time with understand what that time is. 
 
A gift.
 
I’m the age where time has meaning, and if you waste mine you have stolen from me
and I will have none left for you.
 
I’m the age when the brand, make and model mean nothing, but quality and craftsmanship mean everything.
 
I’m the age where art is like breathing and I choose to breathe deeply.
 
I’m the age where I can weep for the world, and I do. 
 
I’m the age where I could choose to look away…but I don’t.
 
My age is a wave that has carried me across a vast ocean, and I ride the swell as long and as far as I can.
 
My age, in a word, is enviable.
 

Sunday, March 23, 2014

Where Have I Been??? AND, Asymmetry.

First, where HAVE I been?  In a word...WORKING.  RSCF, Beadkeepers, Facebook, RSCF...etc.  I have also been writing for Love My Art Jewelry.  What a fantastic group of amazing jewelry artists!  If you don't know them...GO THERE RIGHT NOW AND LOOK AT ALL THE BEAUTIFUL WORK AND WORDS...I write for their blog twice a month, which has sort of taken the place of writing here.  Sorry.  I have to figure out how to link my posts for LMAJ here...have to ask a neighborhood 12 year old to come show me some of them fancy computer tricks and such.
 
Anyway, busy on the farm, baby season is fast approaching, which means I will be hand feeding baby parrots, and who knows what else.  In the few moments before all THAT chaos begins, I wanted to bring you all up to speed on the LMAJ's latest blog subject--Asymmetry.  This post is part of LMAJ's blog hop, so please be sure to peek the fabulous works on the subject offered by the uber-creative artists in the group.

Some of my babies--red browed Amazon chick, baby bongo antelope and baby pygmy marmoset.
Asymmetry for me is an integral part of most of my jewelry designs.  Asymmetry involves embracing imbalance--tossing symmetry out the window.  While it is second nature now, it wasn't always so.  Early in my designing life the idea of an "unbalanced" design was CRAZY TALK.  All my designs had to match and balance down to the exact bead count.  The idea of incorporating different shapes and offsets was simply unthinkable.  Now, I can't imagine creating any other way. I draw my inspiration from the natural world, and NOTHING in nature is ever perfect, nothing matches, and it's all GORGEOUS. 
 
I strongly encourage exploration in jewelry design, and working outside the "balance" can be challenging and very, very rewarding.  I've included a few examples of my own asymmetric works, along with some amazing contemporary designs by artist I adore.  If you have never tried this design aesthetic, take a look at the posts about the subject on LMAJ, explore the Internet for inspiration, and dive in.  There is such freedom designing this way--so many possibilities from simple, elegant works to totally off the wall avant-garde expressions....Throw caution to the wind and CREATE something! 

Wednesday, September 11, 2013

So, It's All Diana Nyad's Fault...

So, it's all Diana Nyad's fault.  I'm sure you have heard of her spectacular achievement of late...no big thing...just swam solo from Cuba to Key West without a shark cage.  Oh, and she's 64.  So...there's THAT!


 Anyway, her conquest of this particular stretch of ocean was many years in coming, and one of the many obstacles she had to overcome presented itself in a deceptively small package.  A small and potentially deadly package.  I'm talking about jellyfish.  Jellyfish that have caused her to abandon the swim on more than one occasion.  If you have never been stung by one, it's so hard to describe the pain.  I grew up in South Florida and have been swiped by a jellyfish or two...never anything major, just hit by a trailing tentacle and BELIEVED I WAS BEING CONSUMED BY LIQUID FIRE.  Now imagine swimming into a school of dozens of jellyfish...face first.  HOLY CRAP.  That is what Diana Nyad has done...more than once.  And she still gets back in the water.  Damn.

So, with all this in mind, and feeling so PROUD for her that this time she MADE IT, I was inspired to make a jellyfish pendant for her.  I call it "Nemesis of Nyad".  Hand constructed out of copper, brass and enamel copper, with pearls.  It should be in her publicist's hands about now, and I anxiously await Diana's reaction.  I hope she likes it!
 

 This design is now rooted in my brain, like, with tentacles or something.  I'm making a few more in silver and brass.  It's such an organic, flowing shape that lends itself to so many design possibilities.  I have a ton of ideas brewing.  One of which was to make a jellyfish bangle bracelet.  I imagined all those tentacles flowing around my wrist and figured this would be a relatively easy design to create.  WRONG, WRONG, WRONG.  What a nightmare.  It began so well...creating the jellyfish body, then laying out the tentacles, getting the flow, then trying in vain to wrap that mother around my bracelet mandrel.  My fatal flaw(s) was impatience (I didn't think ahead enough to plan for the placement of all the wonky tentacles), and not really knowing how long I needed the tentacles to be to create a standard 8-inch bangle because of all the bends and curves, which I created sort of as I went.  Well, after the initial failed wrap around the bracelet mandrel, I realized that I would need to solder the tentacles together in spots, as some were shorter than others.  I used 14 gauge nickel silver wire-- I wanted the bangle to be stiff to hold all the bends and curls.  Having forced it around the mandrel once, I had to hammer it flat again, and with all the flow, curls and bends that was basically impossible.  Sigh.  I went at it anyway, spot soldering where I thought I needed to in order to hold the tentacles together.  Here is where the swearing began.  The first spot solder was perfect.  Moved on to the next and as soon as the solder flowed the first join popped.  Fixed that and the second join...you guessed it...POPPED.   At this point you're thinking, "binding wire, Karen".  Well, I have never used it and don't have any so SHUT UP!  This went on for about 75 years.  Okay, maybe not that long, but it sure felt like it.  Nickel silver is great to work with but the more you heat it the more brittle it becomes.  I won't bore you with all the grisly details, but by the end of it all I had created an amazing contraption using ceramic tiles, a third hand, and ceramic bead trees stacked together to cage this beast of a bangle so I could FINISH THE DAMNED THING!  And here it is.  I don't know if I love it or hate it.  I do know I will NOT be making another one like this.
 
 And, as I said in the beginning, it's all Diana Nyad's fault.

Seriously, I love you Diana, and I congratulate you and your team.  Hope you like your pendant, call me!


Tuesday, September 3, 2013

I Need Your Vote...PLEASE!



Hi All!  I made this video last night, explaining why I am so crazy to win the Martha Stewart American Made contest.  Please watch, then consider voting for me.  I would so love to share this with other artists in my community, and need your help to do that.  You can log on and vote six times a day between now and Sept 13th.  I know it's a long shot, but it would be so FANTASTIC if I won and could share this with my artist friends.  Thanks in advance...

Saturday, August 31, 2013

Hello, World...Sorry We're Killing You

I've been in a bit of a dark head-space lately.  Don't ask why, just turn on the news.  If you are one of those folks who proudly declares, "I don't watch the news or read the newspaper--it's too depressing", forgive me if I want to punch you in the throat.   Refusing to acknowledge the times we live in doesn't make it all better, it just means you are actively choosing not only to do NOTHING ABOUT IT, but you are also insulting those in the world struggling to survive in horrific circumstances by pretending they don't exist.   Your pretend world doesn't interest me.

That being said, I feel that in this moment in time,  we bear witness to some of the most tragic, depraved, desperate and mindless behaviors of our species.

As we watch, we are inundated with technicolor images and bold-faced text describing and displaying the worst of humanity.  A tidal wave of despair in pixels and paper.  How to make sense of it?  How to weed through the flood of noise that is the news these days to really understand what we are being shown?  I want to reach through the screen, try to touch a real flesh and blood human being, establish some sort of contact to say, "I'm here,  I see you.  I hear you and I weep for you."

It's overwhelming.
 
I have a series of pendants and necklaces I call "Sacred Salvage".  Within this are "Poetry Pieces" and "Storybook Necklaces".  These are designs created around a short story or poem I have written.  They incorporate found objects, mixed metals, all manner of this and that.  I felt the need to create a new assemblage, but without a printed story to go with it.  I wanted the piece itself to be the story. 
 
"Screaming Silence - Read Between the Lines"

 So, I sat at my bench and started gathering bits and pieces together.  A story was brewing in my mind, a sad story but one I wanted to tell.  I've been asked what my process is when I make a storybook or assemblage design, and I have absolutely no definitive answer.  I usually begin with an idea.  Sometimes just a word.  Today two words jumped out at me--"guise" and "forlorn".  I found them on a bit of transparency sheet.  I formulated a rough picture in my brain of a window, with the cover rolled back.  Newsprint crammed full of text with a face peering from behind, trying to be seen amidst the noise--the hidden agendas.  More newsprint is jammed into the window cover.  Mind you, as I imagined this, I am sifting and sifting through drawers and dozens of boxes on my table.  It's actually kind of mindless in a purposeful way--if that makes sense at all.  I also totally lose track of time at this point.  I wanted three dimensional items to reflect the story--a tiny broken doll arm for the loss of innocence, a dragonfly wing for the desperate, futile urge to flee, a watch arm for the passage of time.  Turquoise represents the Earth to me, cracked and nearly ruined, but still blue.  A broken circle holds it all with a drop of red enamel representing the horror of spilled blood.  Held together with rivets and screws.

No, it's not a happy creation.  I made it with a heavy heart and tears in my eyes.  I wanted it to be beautiful though, because ALL LIFE SHOULD BE BEAUTIFUL.  There is beauty all around us.  What I don't understand is why, at this moment in history, mankind seems to want to destroy all that is beautiful.

So, we bear witness.
 
I hope this pendant finds a home with someone who will appreciate and understand this story.  I've been asked if it is hard to part with some of these designs.  The answer is no.  Stories are meant to be shared, passed on.  That's how they stay alive.  I hope someone wants this pendant to add to their own story.
 

Sunday, June 23, 2013

Tallmadge's Dragons - An Original Short Story


18th August 1869

My Dearest Winifred,

 I write to you now beneath a concert of raindrops beating against the roof of my bedchamber.  While my accommodations have been less than luxurious by any standard, I find the thatch and tin roof more than adequate for my purpose.  These past few months have been torture without you, Dearest, and I fear that the seasons may come and go before we are again together.  For me, there will be no visible signals as Mother Nature flows across time.  No brightening of Autumnal leaves, no nip of cold upon the morning breeze, just the endless tropic heat and ever green bounty of foliage growing to astronomical size and dimension. 

But my purpose to document these marvels of nature is clear, and I have been immersed in an endless array of unbelievable life forms never before seen by European man.  I could write an entire tome on the catastrophic flowers alone.  Would you believe that one such blossom, emerging only in the depths of night, opens petals the size of your favorite parasol?   And another, the size of a shilling, produces a sticky nektar for the sole purpose of capturing and devouring small insects and lizards misfortunate enough to stumble upon it!  I can hear you now, my Darling, aghast that such a thing occurs in nature.  Fear not, I am ever vigilant and take great care whenever I am in the field.  No harm has befallen me…yet.

I hesitate to put to paper these next words, but I feel I must share with you the most recent of my adventures here in this steaming jungle.  Less than a fortnight ago, while in the bush alone, I came upon an amazing sight.  I discovered a clearing, in the centre of which lay a pool of glowing azure blue water.  The pool was surrounded by the tiny carnivorous plants I described above, along with countless other plants and blooms I have never before seen in my 20 years as a botanist.  As you can well imagine, I was atremble with excitement, and set about gathering samples to sketch and diagramme back at camp.  I had just gathered a handful of flowers and leaves when a soft buzzing began amongst the foliage.  The sound was almost musical, like the draw of a bow across the strings of a violin.  Arising from the brush came a cloud of what appeared to be a form of dragonfly, but like none I had ever seen before.  The insects bodies were of brightest blue, just like the waters of the pond!  Each was in length as long as your favorite quill (the one Mother gave you of ostrich feather).  To my eye  they resembled forged metal with four long wings of blazing silver, as if spun by a silversmith!  These amazing creatures formed a cloud about me, seeming to examine me with bright eyes and a manner reflecting the same curiosity with which I examined them!  I know what you are thinking, Dearest, but the heat had not clouded my mind, intense tho it was.  I found myself sitting at the edge of the pool, enveloped in a living cloud of hundreds of flashing blue and silver bodies.  I swear to you, my Darling Dear, that these insects were attempting to communicate with me!  They beat their wings in a distinct rhythm, a rudimentary language if you will!  The sounds they created were so soothing, so enchanting, I began to drowse, right in their midst.  I felt them alight on my body, tiny feet nearly weightless, shining wings caressing my face and hands.  I tell you, I have never felt such peace but for the moments we have spent together in quite reflection amongst your treasured gardens in Cambridge.  I confess, I was nearly hypnotized!  I do not know how long I spent in the company of these otherworldly creatures, but time seemed of no consequence.  The next thing I knew, I awoke to the sound of Reginald and Walter calling my name over and over again.  I looked about me, but the dragonflies were gone and the pool was no longer brilliant blue, but had turned a dark black.  I roused myself, and left the clearing to join the others, who I found had been frantically searching for me for over 12 hours!  Dearest, I had no sense of time passing at all! 

Needless to say, I did not share my discovery with Walt or Reg,  instead I told them I had lost my compass and muddled my directions in the forest.  I think they believe me, but both regard me with some suspicion now and I doubt I will be left to explore alone from this point on.

 But explore I must, for in the days since, the dragonflies have been calling to me.  Yes, I know how mad that sounds, but it is true none the less.  I see them from the corner of my eye, flashing blue and silver amongst the forest greenery.  I turn, and they are gone!  Walt and Reg don’t know what to make of my behaviour, and I simply cannot share this with them.  The dragonflies chose to communicate with only me, and I must keep their confidence until we meet again. 

 Last night, they came to me in my dreams, once again enveloping me in their soft, shining wings and serenading me with their aerial music.  I must find them, I simply must.  So, tonight I set out alone to reunite with these fantastical beings.  I hope I can find the clearing again, for I scratched a crude map upon a forest tree when I first discovered the oasis.  Oh Winnie, if only you could have seen them!  Bluer than even your lovely eyes! 

I shall write again, as soon as I can, and one day I hope to bring you here to witness for yourself the magik in this primordial forest.  Until then, I reach to you across the seas, soul to soul, heart to heart.

Yours Forever, 

Matthias

This letter was the last communication that Winifred Tallmadge ever received from her husband, the famed explorer and botanist, Professor Matthias Tallmadge.  Enclosed with the letter were a few scraps of paper, believed to be from Prof. Tallmadge’s field notebook.  The notes are unintelligible, and include drawings of unidentified plants and insects.   Also included with the letter was a 3-inch long insect wing resembling a dragonfly wing, but made of fine silver.

Prof. Tallmadge’s research partners, Professors Reginald Moorehaven and Walter LeMoyne, discovered his bunk empty.  After 24 hours with no sign of Tallmadge returning to camp, a search party was dispatched.  The search continued for three weeks before the determination was made that Tallmadge had somehow become lost and perished in the jungle.  The clearing mentioned in Tallmadge’s letter was never found, but his spectacles and part of his field notebook were discovered at the base of a tree carved with Tallmadge’s name alongside his wife’s name.  His body was never recovered.  It was noted that in the days after Tallmadge’s disappearance, the field station was inundated with thousands of insects noted to be a new un-described species of blue dragonfly.   No specimens were ever captured or preserved, and it was recorded by the team and several other witnesses that the insects vanished the same day the search for Tallmadge was suspended. 

Mrs. Tallmadge pledged to fund a continued search for her husband, and did so for the rest of her life until she passed away at the age of 86.  The disappearance of Professor Matthias Tallmadge remains a mystery to this day.

Post Script:

The following transcript was added to this file by Peirce Moorehaven, son of Professor Reginald Moorehaven, the last surviving member of the Tallmadge research team at the time of Winifred Tallmadge’s death.

“My Father was 97 when Mrs. Tallmadge died.  He insisted we attend her funeral, both the church service and the grave side ceremony following.  By this time Father was very crippled with arthritis and other maladies affecting a man  of his great age, but with my help we managed to walk from our carriage to the grave site, along with the rest of the funeral party.  As the minister was speaking beside Mrs. Tallmadge’s coffin, my father became extremely agitated, pointing to the Tallmadge grave marker.  Two large blue dragonflies with silver wings were hovering over the stone, eventually landing on the carved marble.  They remained there until the ceremony was over, then vanished in the blink of an eye.  My father referred to them as “Tallmadge’s Dragons” and insisted they were an omen of some sort.  We left at this point, as Father was near to fainting from exhaustion.  No matter how I pressed him, he refused to speak of the incident ever again and passed away some weeks later.  Whatever secrets he discovered in the jungle with Tallmadge died with him, but I shall never forget those spectacular dragonflies.” 

Library at Oxford, 2013

Monday, February 25, 2013

FeBLURary....

February was a blur...hence the title. For the past seven years, my good friend and wonderful artist Gisela Pferdekamper and I have joined forces to hold a wildlife art show benefiting the good works of the Rare Species Conservatory Foundation. This show, aptly called "Wild Things" began as a small, word of mouth event featuring a few of our local arts friends, showing works inspired by nature, held in Gisela's converted barn/studio. Our first year attracted about 100 folks and raised a few hundred dollars for RSCF. Fast-forward to 2013 and the show featured 18 artists from around the country and attracted over 350 guests, raising several THOUSAND dollars for RSCF! We done good! Each year the show gets bigger and better, yet still retains a "down home" appeal we are so proud of. Gisela's barn/studio is an ecclectic, wonderful space, tucked off a dirt road in the wilds of Loxahatchee, surrounded by a lush garden landscape, wandering albino peacocks, and a molluccan cockatoo named Pepitta greeting you as you come in. Gisela and I are so proud of this show and the fact that we hold it each year with a budget of around $500.00 (thank Heaven for our volunteers, friends and sponsors!). 
 
 
 This year's show was a BLAST. Great art, music, food (thank you International Polo Club and Wanderers Club Wellington), and more. Please visit our Flickr page for pics of the event. Planning and preparing for the show pretty much obsesses me for the bulk of January, and recovering (my word for "accounting") takes me through to the middle of February. When it's all over I heave a sigh of relief and immediately begin imagining next year's show. I'm a glutton for punishment!
 
In the meantime, I am so thrilled to be showing at the Copper Frog Gallery in New Jersey. Just sent them a box full of goodies, soon to hit their shelves. I hope they like the selection, and look forward to joining the CFG family. One of my favorite jewelry designers, Staci Klinger Smith also shows there, so neat to have my work alongside hers....I anxiously await reviews....
 
I also just sent a box to Plum Gallery in St. Augustine, one of my favorite spots on the planet. Karen Sheridan has created such a wonderful space on Avilla Street, right in historic downtown. The gallery is gorgeous, full of light and filled with wonderful works, including Karen's beautiful Key West inspired paintings. I am always looking for any excuse to visit St. Augustine...I may just have to head North to see what she thinks of the new work I just sent her...
 
Working on new designs as well--exploring steel wire bundles and color. I'm experimenting with Gisela using steel wire, glaze, and clay. Her kiln is loaded and I can't wait to see if my ideas worked or not. Will keep you posted, the firing is today. I've posted a couple pictures here of the first rings I've made featuring the wire bundles. The rusted steel wire ring is my favorite. I love rust, and steel rusts beautifully. Add MaryAnn Carroll's enamel copper discs and you get a gorgeous ring. The other ring is aluminum, with blue enamel steel bundle and a copper enamel accent. More to come.....
 
 
Finally, a ring I made right after this month's rather explosive celestial events. This "Asteroid" ring is created from a lump of black quartz druzy I set in sterling silver and brass, wth 14k gold nugget accents. I love this...very fun to wear and full of sparkle and mystery.
 
My head is overflowing with ideas these days, just have to find the time to execute them! My life is about to get even more hectic--as many of you know, I am a conservation biologist in real life, and soon will be hostage to hatching red-browed Amazon parrots, one of the most endangered Brazillian parrots. Eggs in the incubator, will be hatching next month. We feed the babies every 90 minutes around the clock, so sleep will be a distant memory...wish us luck!

Tuesday, January 15, 2013

New Year, New Designs, New Show...

2013 has begun in creative frenzy.  I have managed to shake off the low feelings and dark thoughts that accompanied a very emotionally exhausting Holiday Season.  Cleared my bench, my mind, and my calendar!  Looking ahead now to one of my most favorite events, a wildlife-themed art show I co-host every February with my dear friend and artist Gisela Pferdekamper.  This will be the seventh year for this show, dedicated to raising funds for the Rare Species Conservatory Foundation.  Held in Gisela's converted barn (she is a wonderful sculptor and turned her barn into a working studio), this show has evolved from a word-of-mouth event with a few of our local artist friends getting together for a fun evening, to a three-day show featuring works from award-winning artists from around the country.  Last year we attracted over 300 guests for our opening night reception alone!  The outpouring of support from the arts community for this event has been so overwhelming--all participating artists donate 25% of show sales to RSCF.  This year's show will be held February 10 - 12, we have 18 artists participating, and several live art events opening night including a raku firing and live body painting.  All the work is inspired by nature--really gorgeous stuff --photography, sculpture, fine jewelry, paintings, pottery, mixed media and more.  I've included the invitation here, featuring a lovely art photograph courtesy of Melinda Moore of our female golden lion tamarin.  Zeppo has never looked better!

I'm feverishly creating new works for this show, and have hit on a couple of pendant designs I really love.  I call them Ladder Works and Glyphs.  The Ladder Works feature hand constructed and soldered wire ladder-style bases from which I build layers of elements cold connected with rivets or screws.  Brass and bronze wire have caught my fancy at the moment, I love the deep golden color and ease of use (solders and hammers beautifully).  The Glyphs are textured open-wire designs, accented with a cold connected element.  I call them Glyphs because my brother commented that he likes the style because each pendant reminds him of symbols of a lost language from an ancient tribe.  I love that!  These two design styles are perfect for another of my current obsessions, enamel copper discs by MaryAnn Carroll of Artisan Beads Plus.  I absolutely love them and use them constantly--the rich rustic colors are so intense and gorgeous!  Perfect for layering and cold connecting.  I plan to have a nice collection of these for the show and am offering some in my Etsy Shop as well.


I'll keep you posted with photos from the show--it will be such a fun night.  AND, if you are in my neck of the woods, do come by for this event.  Great art, great cause, great artists.  See you there! 


Wednesday, January 2, 2013

Looking Ahead...

Welcome 2013!  Clean slate, metaphorically speaking, right?  Clean work bench at any rate....new designs brewing in my brain, anxious to become reality.  Got a fabulous package of goodies from Becky Nunn of Nunn Design, to stock me with the very latest jewelry components from their soon-to-be-released 2013 catalog.  Yes, I am so happy to be a part of the 2013 Nunn Innovation Team!  Becky also sent me a PDF preview of the catalog and I drooled all over my keyboard.  So many lovely design elements!!  Many included with the 2013 stash she sent me.  Already been busy, effectively destroying my clean work surface in a creative frenzy.  I can't share photos of the new stuff yet, (I send the finished designs to Becky first and she promotes for us--SWEET) but I can tell you about my favorites so far...first off, the brass elements coming out for Nunn are FABULOUS and I've been cold connecting like mad (made a gorgeous cuff).  Deep bezels in many sizes (great for us mixed media, assemblage folks--I made two really cool pendants filled with this and that), tons of unique, detailed stampings, new clasps, closures, chains, findings, chatons, settings, bangles, and SO MUCH MORE.  I have included here some photos from the catalog of finished designs from the Innovation Team, including some of mine.  Becky has a great team and the photography for the catalog is to die for.  

So, get to the Nunn website and go crazy!  She offers wholesale accounts for designers and links to retail outlets that carry the products.  You won't be disappointed! 



Saturday, December 29, 2012

It's Complicated....

Today's creation.  Okay, this is a complicated design. I wanted to make something that speaks to my frame of mind recently, which has been rather dark. This ring is called "Poisonous Thoughts", and is created using a tiny porcelain doll head under a glass dome. A black flower blooms from the head, accented with a highly toxic seed from a vine that grows on our property. My intent was to visualize capturing and containing my black thoughts--essentially imprisoning them, but allowing me to see them so I will remember not to let these thoughts and emotions overwhelm me. Whew...and you thought I just made pretty jewelry...




Friday, December 28, 2012

Embarrassment of Riches...

I must say, I was feeling pretty down in the dumps these past weeks.  The holidays and hideous world events sort of sucked the life out of me.  Then, I wake up to wonderful virtual support.  First, a great comment on my blog, then, I find a favorite ring design of mine featured in Jewelry Making Daily, AND today MaryAnn Carroll featured my designs using her GORGEOUS enamel copper discs in her blog, Love My Art Jewelry.  If that isn't enough, this cold full moon is just overwhelming.  Thank you all so much.  I feel ready to sit down and create something to show my appreciation...something related to this moon, perhaps.  I'll keep you posted....


Great Way to Start the Day...

Woke up this morning to find one of my rings featured on the Jewelry Making Daily blog! My Party Hat Ring, created here for Nunn Designs, features a gorgeous ornate adjustable ring blank in gold by Nunn, layered with lots of colors and textures in brass, aluminum, enamel and more. Topped off with a lovely purple enamel dangle. This ring is super-fun and easy to make. Check out the step-by-step instructions on the blog, and make one for yourself! A party for your hand….and who doesn’t like a good party?!?!
 
 

Holidays, Get Thee Behind Me!

I know that the holidays are a time for family, food, giving, receiving, and fellowship. They are also a time for stress and chaos, so I am glad to be on the other side of Christmas. Especially this year, so full of tragedy and pain for so many. I’m not sure our country will be able to truly celebrate this season for a long, long time.
 
So, we reflect, stiffen our spines, and move on. Searching for beauty in the madness, we must somehow energize our souls and replenish our spirits as best we can. Art, in it’s infinite forms, has always been a tonic to sooth my battered psych. A way to refresh my mind and bring inspiration when none seems possible. Art, and the ability to express myself through it, has saved my sanity on more than one occasion.
 
Yet, this time, this time we live in, weighs so heavily on me now. I am struggling to find the spark, to put my hands and heart to work again. The furious flurry of creative activity leading up to Christmas was exhilarating and joyous for me. From my hands I created thoughtful, beautiful gifts, and found myself exploring new designs and mediums with ease and inspiration. Not so now, and I am having a really tough time re-starting my “engine”.
 
I have commitments and deadlines and promises to keep. I have been so lucky and blessed to be chosen to continue as part of Becky Nunn’s 2013 Nunn Design Innovation Team. I have projects that will be published in the coming year, something that has never happened for me before working with Becky. I am so thankful (and a bit terrified!).
 
My goal is to try to begin as fresh as I can. Today, I attack my workspace to simply clear it and organize. If that is all I accomplish today, that’s fine. I hope that each day I will be a little clearer, hopefully a little lighter in spirit. I will not push, or stress myself right now, no matter how I long for that feeling—that magic when time blurs, hours fly, and suddenly you hold in your hands something entirely new and beautiful. It will come, I hope, soon.
 
I would like to hear from other artists…how you deal with times like this, when it seems impossible to see beyond the chaos. Please share, and I wish you all the very best in this coming year. Peace for us all….
 
 

Friday, June 15, 2012

In the News...

Just a quick note and a link to an article that just came out about me in our local newspaper, The Palm Beach Post.  I am a member of a cooperative gallery in Lake Worth (Clay Glass Metal Stone), as well as a new member of the Palm Beach Cultural Council.  I have been showing my sculptural works in the Council Gallery (Uniquely Palm Beach), and they featured me as part of a series showcasing artists in the retail Gallery housed within the Council's brand new home in the Montgomery Building, also in Lake Worth.  I was so flattered, and actually can stand the photo taken, so it was a win all around!!  Thanks to Laura Tingle and Nichole Hickey of PBCC, and thanks to Randall Lieberman and Damon Higgins of the Post.  I hope this and future artist profiles will bring a new audience to this great little gallery featuring 50+ local artists!!  If you are in the Lake Worth area, please stop by for a visit.  The retail Gallery is full to bursting with amazing art, and the exhibits are breathtaking as well.  Definately worth your time!  Be sure to stop by CGMS Gallery as well, right next door to the Council!!


Saturday, June 9, 2012

The Lost Tutorial...Image Transfer

Hello all!  I've been getting some emails and requests for my image transfer tutorial, that at one time lived on this blog, but then the Internet ate it.  So, I've found it, and republished it here.  You can also find it at ArtChix Studio, a wonderful website full of fantastic image collage sheets, ITS solution, and about a billion other things you will HAVE TO BUY (including a new line of ADORABLE miniature wood cuts perfect for mixed mediapalooza). 

I hope the tutorial works for you--image transfer is so fun.  Explore texture with this--burn the edges of your paper first, sand bits away when finished, go nuts.  I'd love to see what you create--feel free to share images of your finished works with me and I'll post them here!